ovni 2009
78 Archival description results for ovni 2009
The social treatment of poverty is progressively replaced by repression. The poor, sometimes immigrant, being a victim to start with, becomes a potential criminal. The director observes the social violence and the stigmatisation which keep a whole social class in oblivion. He discovers, far remote from EU's democracy, the reality and the functioning of a social apartheid.
There is an anarchist essence inherent in Islam, which deserves our attention. Koranic cosmology states that a human being in the state of nature is a ‘slave (or serf) of Al-lâh, just as a sunflower is a slave of the sun, because they are organically linked. The concept of submission to a Single Reality (al- islam) does not translate into submission to human institutions, rather the reverse: it leads to a rejection of all external coercion as contrary to the nature of things. Muslims reject the limits that the market and the institutionalisation of life impose on their freedom, as an inner space in which intimacy with Creation becomes possible. The freedom that Muslims recognise is not political freedom under protection of the State, but an inner state/space that enables us to reject the world of representations, reject the fiction of power that some sheathe themselves in. This is based on idea that human beings are noble in essence, that their state of nature (fitrah) is superior to their state of culture. Ibn Jaldún says: “The political and educational order is contrary to the power of the soul because it embodies an instance of external control”.This point explains why Islam has been described as ‘mystical anarchy’. Abdennur Prado is a writer, president of the Catalan Islamic Council and co-director of the International Congress of Islamic Feminism.
Young women in St. Petersburg are going back to school. They want to learn how to seduce, marry and control men. They try to find a path to stability, happiness and prosperity. They want to learn how to be a successful bitch. Bitch Academy is a tragicomic documentary of early Russian capitalism, which determines the dreams and intimacies of its young generations, in at atmosphere of fear and hope.
This is the first compilation of films by Jean Painlevé, spanning his career from his beginnings as an actor to his work as a filmmaker in the leadup to WW1. In Methuselah, an avant-garde play by Ivan Goll, Painlevé is both actor and producer. This version includes a soundtrack added to the “film” – five sequences that were intended for projection during the play – in the eighties, when Painlevé discovered Maxime Jacob's original score for the play. The music was originally performed by The Republican Guard Band. Lacking the funds needed to engage this famous band, Painlevé chose to have a piano version recorded.
UntitledShot in Cameroon and Brussels, Je ne suis pas moi-même explores the world of African antiquities and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do these masks make before their unveiling in the windows of the biggest galleries or art collections in Europe? Who determines the economic and aesthetic value of these objects now that colonialism is supposedly dead' And then there's a continent called Africa, in need of economic resources and therefore willing to sell its cultural heritage or, if need be, to fake it. The authenticity of the objects becomes blurred when the people that once adored them start to sell them.
UntitledThis video brings us the voices and minds of Farmers from Cuzco, Peru. They explain what school they want for their children, what education is needed for life to flourish and for the strength of ancestral times to be carried over to new generations. Over the past decade the Nucleus for Andean Cultural Affirmation CEPROSI has been working in Cusco with groups of rural teachers and parents in order to attain an understanding of education and cultural diversity. The reflections they make on the way in which Andean children learn of both worlds, western and Andean, lead them to unexpected conclusions that deserve to be listened to and taken into account.
UntitledEvangelical spot of New Tribe Mission (ntm.org): “Millions of men, women and children, tribal people all across the world, in remote, never-before reached places of the Earth, ISOLATED, with NO ACCESS of Salvation in Jesus. Living in Darkness...”
UntitledA fragmented road trip through Britain on the peripheries. Down empty roads, off in the wilderness, a few lone stragglers. My first stop, geologist Jan Zalasiewicz, talking about the Earth in one-hundred millions years time.“What would be left of human action, human traces, human constructions, human buildings and the wider ripple effects of humans after that length of time… assuming that humans disappear in the geologically near future.”
In the 1960s and 1970s thousands of hippies journeyed east to India in search of enlightenment. Indian peasants assumed that a severe drought in the West was the reason for their migration. India's holy men saw it as a search for spirituality. Most moved back to their home countries after a few months or years while others stayed for good. Hippie Masala is a portrait of Western ex-patriates: Robert from Holland, a gifted painter, lives with jos wife and young children. Meera, a hermit, seeks enlightenment on her own, while Cesare, an Italian expatriate, strives for spiritual liberation through back-breaking yoga. Hanspeter, a man originally from Switzerland, runs a small farm in the Himalayas. Erica and Gillian, South African twins, sew hippie handicrafts by day and party tirelessly at night...