How can you document the elusive stuff myths are made of? That is what the furtive chalk graffiti on freight train wagons is, the fleeting consecration of their anonymous creators. The word “graffiti” stands for an art with schools and aspirations, very different from that other fleeting and legitimately popular art, which may bring to Argentinian minds the painted messages on the rocks of Mar del Plata. Bill Daniel pulls it off by getting onto those bare wagons with his camera, by traveling with those who load them and the tramps who use them.

A fast-paced 64 minute documentary that covers the world's power politics, war, corporations, deception and exploitation. It illustrates the words of Arundhati Roy, specifically her famous “Come September speech”, in which she spoke on such things as the war on terror, corporate globalization, justice and the growing civil unrest. It's a witty, moving and alarming lesson in modern history.

“Hello, I'm going to read a declaration of war. Within the next 14 days we will attack a symbol of American justice”. - Former Underground Member Bernardine Dohrn. Thirty years ago, with these words, a group of young American radicals announced their intention to overthrow the U.S. government. Fueled by outrage over the Vietnam War and racism in America, they went underground during the 1970s, bombing targets across the country that they felt symbolized “the real violence” that the U.S. government and capitalist power were wreaking throughout the world. From pitched battles with police on Chicago's city streets, to bombing the U.S. Capitol building, to breaking acid-guru Timothy Leary out of prison, this carefully organized clandestine network attempted to incite a national revolution, while successfully evading one of the largest FBI manhunts in history.

There is a glut of wealthy in the city of Saba. Everyone has more than enough. Even the bath stokers wear gold belts. Huge grape clusters hang down on every street and brush the faces of the citizens.

Following Nigeria's independence in 1960, the British left the country but multinationals began to proliferate thought the land, specially after the discovery of the region's largest oil well. Agriculture, which had previously given the country a degree of economic equilibrium, was hurt by the agreement between Nigeria's new leaders and foreign investors, which resulted in the expansion of the oil fiends and the destruction of agricultural land. The documentary reflects this situation through the musician and political activist Fela Kuti and his son Fema Kuti. Music is depicted as the awakening of a conscience, as a celebration of life and African roots, and as an indictment of a government that acts as a franchise of western multinationals.

In 1925 William Faulkner lived in New Orleans for a few months writing short sketches in which he called the city to life. Inspired by Faulkner's impressions, Dutch Filmmaker Marjoleine Boonstra drifts through the devastated streets of New Orleans, at any hour of the day, looking for the fears and dreams of people whose lives have gone adrift as a result of hurricane Katrina.

In the broken cityscape of Kabul, Afghanistan, amid the dust and rubble of war, Westerners and Afghans adjust to the uncertain possibilities of peace. Kabul Transit shuttles through the broken streets of the city, moving between public space and private, listening in on conversations, posing questions, probing the darker alleys mainstream media avoids. The result is a shifting mosaic of encounters and raconteurs, captured glances and telling gestures, all beautifully shot and woven together by the music and the found sounds of a city sluggishly coming to life, a place that is at once hauntingly strange and altogether familiar.

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied them.

An investigation into the fraud in the 2006 Mexican elections that saw left-wing front-runner Manuel Lopez Obrador lose to right wing candidate Felipe Calderon.

Crying Sun tells the story of people from the Chechen mountainous village of Zumsoy and their struggle to preserve their cultural identity and traditions in the context of military raids and enforced disappearances by the federal army, attacks by guerilla fighters, and subsequent displacement. By helping to articulate the voices of Zumsoy villagers in the public and policy spheres, the video calls on local and federal authorities to end impunity for human rights violations and to restore policies for the return of mountain villagers to their ancestral homes.