A new episode of the author's personal video diary. Every day life seen through psychological problems. Available online until December 20th, 2020. Courtesy of Harvard Film Archive.

Rivers tells the story of a journey to Woodbridge, Suffolk, to visit his friend Ben and his father Oleg...

A family’s place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at an idea of freedom, which is reflected in the hand-processed Scope format, but is undercut with a sense of foreboding. There’s no particular story; beginning, middle or end, just fragments of lives lived, rituals performed.

An Injury to One provides a glimpse of a particularly volatile moment in early 20th century American labor history: the rise and fall of Butte, Montana. Specifically, it chronicles the mysterious death of Wobbly organizer Frank Little. Butte's history was entirely shaped by its exploitation by the Anaconda Mining Company, which, at the height of WWI, produced ten percent of the world's copper from the town's depths. War profiteering and the company's extreme indifference to the safety of its employees (mortality rates in the mines were higher than in the trenches of Europe) led to Little's arrival. “The agitator” found in the desperate, agonized miners overwhelming support for his ideas, which included the abolishment of the wage system and the establishment of a socialist commonwealth.

Gibbons takes a morbid casting to the Barbie doll, full of dark intentions toward that unattainable ideal of beauty.

This controversial, startling and hypnotic mix of music and visuals is a semi-autobiographical psycho-drama following one addict's journey from sickness to health, anguish to well being. The Chappaqua filmscape is polulated with counter-cultural icons: Allen Ginsberg and William S. Burroughs, Jean Louis Barrault and Ornette Coleman...