The CCIODH (International Civil Human Rights Watch Commission) travelled to Oaxaca-Mexico between the 16th of December 2006 and the 20th of January 2007, and interviewed 420 people involved in the conflict. The Commission has recorded 23 deaths since the 16th of May 2006. This video documents the Commission's visit through interviews with prisoners, authorities and activists who have no choice but to go underground.

Wanja is a documentary about “the Block”, through the eyes of Auntie Barb and the life of Wanja, her blue heeler dog, recently deceased. The community on the Block's many and varied stories of Wanja reflect on the issues affecting this indigenous community in the heart of Sydney. Auntie Barb is an elder of Redfern's community: Wanja was an integral part of the community, known to all for her ability to sniff out the police -in uniform and undercover- “the Block's guardian angel”. Through Wanja, Aunty Barb and the community's memories of this tenacious, loyal, smart and loving dog tell of the early days on the Block when there were elders and families, good housing and a strong sense of community. The stories of Wanja tell us how the tension between the community and police escalated, why the housing has continued to deteriorate and largely been demolished, and why the strength of the community - it's elders, moved on. Aunty Barb was one of the last elders forced off the Block. In spite of this, Aunty Barb continues to call the Block her community and home.

A fast-paced 64 minute documentary that covers the world's power politics, war, corporations, deception and exploitation. It illustrates the words of Arundhati Roy, specifically her famous “Come September speech”, in which she spoke on such things as the war on terror, corporate globalization, justice and the growing civil unrest. It's a witty, moving and alarming lesson in modern history.

How can you document the elusive stuff myths are made of? That is what the furtive chalk graffiti on freight train wagons is, the fleeting consecration of their anonymous creators. The word “graffiti” stands for an art with schools and aspirations, very different from that other fleeting and legitimately popular art, which may bring to Argentinian minds the painted messages on the rocks of Mar del Plata. Bill Daniel pulls it off by getting onto those bare wagons with his camera, by traveling with those who load them and the tramps who use them.