Following Nigeria's independence in 1960, the British left the country but multinationals began to proliferate thought the land, specially after the discovery of the region's largest oil well. Agriculture, which had previously given the country a degree of economic equilibrium, was hurt by the agreement between Nigeria's new leaders and foreign investors, which resulted in the expansion of the oil fiends and the destruction of agricultural land. The documentary reflects this situation through the musician and political activist Fela Kuti and his son Fema Kuti. Music is depicted as the awakening of a conscience, as a celebration of life and African roots, and as an indictment of a government that acts as a franchise of western multinationals.

There is a glut of wealthy in the city of Saba. Everyone has more than enough. Even the bath stokers wear gold belts. Huge grape clusters hang down on every street and brush the faces of the citizens.

A hand-processed film in which thousands of people climb a rocky mountain terrain. The destination and purpose of their ascension remains unclear. A vague, mysterious and unsettling pilgrimage fraught with unknown intentions. Available online until December 27th 2020.

"I was going to be an anthropologist, I was going to be a journalist. I was going to be a writer, an archaeologist, a filmmaker, a biochemist, a pharmacist. I was never going to be a missionary or a forest ranger, but nevertheless my father sent me off to Papua, New Guinea with the missionaries".

“Hello, I'm going to read a declaration of war. Within the next 14 days we will attack a symbol of American justice”. - Former Underground Member Bernardine Dohrn. Thirty years ago, with these words, a group of young American radicals announced their intention to overthrow the U.S. government. Fueled by outrage over the Vietnam War and racism in America, they went underground during the 1970s, bombing targets across the country that they felt symbolized “the real violence” that the U.S. government and capitalist power were wreaking throughout the world. From pitched battles with police on Chicago's city streets, to bombing the U.S. Capitol building, to breaking acid-guru Timothy Leary out of prison, this carefully organized clandestine network attempted to incite a national revolution, while successfully evading one of the largest FBI manhunts in history.

A hand-processed portrait of Jake Williams – who lives alone within miles of forest in Aberdeenshire, Scotland. Jake always has many jobs on at any one time, finds a use for everything, is an expert mandolin player. He has compost heaps going back many years. He has a different sense of time to most people in the 21st Century, which is explicitly expressed in his idea for creating hedges by putting up bird feeders. It struck me straight away that there were parallels between our ways of working - I have tried to be as self-reliant as possible and be apart from the idea of industry - Jake's life and garden are much the same - he can sustain himself from what he grows and so needs little from others. To Jake this isn’t about nostalgia for some treasured pre-electric past, but more, a very real future.

To Exist is to Resist is the testimony of a fight that goes beyond the borders of the country where it takes place: the fight for a home. The film offers a reflection on private property from the perspective of those who have already taken over more than 160 buildings in the country of the Bolivarian Revolution. Throughout the film, we are taken into the heart of the “National Committee for the Homeless” by means of its main protagonists, dreamer-soldiers, “tomadores”, who take abandoned buildings in order to give them back to the people who built their ceilings and walls, and could only look at the locked door from the outside...

When Israel withdrew from the Sinai Peninsula in 1982, the city of Rafah was suddenly split, between Egypt and Gaza, by an immense metal and concrete wall. Families found themselves divided by a highsecurity international border, though their houses often lay less than 100m apart. Before long, influential families moved their business underground, through dozens of secret tunnels burrowed below the Israeli border fence. Everything moves through Rafah's tunnels: from cigarettes and drugs to cash and people. It is a vast enterprise, and pays five times the average annual Gaza salary in one month. It is a family business, passed on from father to son and always - for reasons of security as well as economics - kept in the family.

City planners decide to pull down parts of Shanghai's old town in order to regenerate the city. Every year more than one hundred thousand families are forced to leave their homes and move into buildings on the edge of city. Under construction is a two- and three- dimentional flight across the now destroyed living areas of Shanghai which shows how random and brutal decisions can affect peoples's lives.