José, Victoria and Miquel are three of the people who have lived on the streets, or are very close to doing so. Antibiografies is a documentary about the lives of Barcelona’s homeless people, a hidden world that is less visible but no less real or alive than any other. The protagonists talk about how they survive, their relationships, and the occupation of public space. A vision of tod ay’s society from a marginal, frontier perspective.
etnografia
6 Archival description results for etnografia
After First Contact and Joe Leah's Neighbours, Black Harvest is the third film of the Highlands Trilogy. It charts the progress of Joe Leahy in convincing the Caniga tribes people to join him in a coffee growing venture. He provides the money and the expertise; They supply land and labour. He stands to make 60%; the tribes people 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribes people when his promises of riches fail to materialize. As he organizes to migrate with his family to Australia, he is a saddened man with an uncertain future.
Continues the story initiated in its first video, First Contact. Joe Leahy is the mixed race son of Australian miner Michael Leahy and a young highland girl. Joe, now in his fifties, is a wealthy coffee plantation owner. He lives in Western-style grandeur amidst his poorer Ganiga neighbours. The filmmakers lived in the highlands and filmed for eighteen months. They built a grass and thatch house on the edge of Joe Leahy's plantation, in the "no man's land" between Joe and the Ganiga. The film poignantly portrays both perspectives without value judgments or resolution for either side.
José, Victoria and Miquel are three of the people who have lived on the streets, or are very close to doing so. Antibiografies is a documentary about the lives of Barcelona’s homeless people, a hidden world that is less visible but no less real or alive than any other. The protagonists talk about how they survive, their relationships, and the occupation of public space. A vision of tod ay’s society from a marginal, frontier perspective.
Ethnographic documentation of the possession rituals of Mina, the religion of African origin practiced in the city of Sâo Luis. Through fragments of public rituals celebrated in seven religious communities, the video shows the diversity and richness of rituals surrounding the controversial phenomenon of possession. 6th Independent Vídeo & Interactive Phenomena Show
A captivating message for dark times
Music is there to be made 1
Void and music in the West
The Black Antisol - //Silence in the awakening of the worlds//
Invitation to the film-trance: Research project & Live Cinema with Vincent Moon
To interrupt the noise of the world, to be receptive, to listen, to open to the co-animation of the world.
An exploration, a week of sound encounters, with a live cinema or film trance session at the CC Convent Agustí.
Faced with the monotonous and maddening barbarism of the media and the networks that make us see without seeing, that simplify reality by reducing it to spectacular events and violence, Vincent Moon invites us to stop the machines and go out to meet each other.
To interrupt the noise of the world, not to escape from the horror of the ongoing war or from the clear perception of a civilisation advancing towards the abyss.
Vincent Moon , independent filmmaker and sound explorer, who has been travelling the world for twenty years, will spend a week travelling with us between Barcelona and the mountains of the Pyrenees, encountering known and unknown music, and an invisible art of living and resisting.
The way we show the world helps to change the way we see it, changing the way we look helps to change a world flooded with images.
Vincent Moon says: "I long to rediscover, to rework a link with ancestral tonalities and rhythms, forms of trance...". From the Dhikr (remembrance) of Sufi tariqas in Chechnya, Ethiopia or Turkey; to months in the interior of Brazil or Peru, or incursions in Jakarta, Argentina or Morocco: "A kind of experimental ethnography, trying to hybridise all these genres of trance and music in different parts of the world (...) I think we are recording to gain a certain complexity (...) To reinvent life today we have to elaborate new forms of imagery. And it's very simple. You have to go out into the encounter (...) You break down the barriers to the encounter with the body more than with knowledge. This is what travelling taught me, to trust the memory of the body more than the memory of the brain. Respect is a step forward.
A poetic approach to the everyday. Exploring rhythm and tonality in the sound and visual resonance between beings and elements and things.
"Encounter is the fundamental thing. Meeting people, like the Troubadours (...) Film is an excuse to create a very special moment in the present, in the reality of now".
The Australian Aborigines used to say that "everything slumbers beneath the surface of the earth waiting to be called". - On the acoustic and visionary journey with Vincent Moon we go out to meet voices that continue to sing among the ruins, calling into existence another life, another reality, another truth.
"When I arrive at a place, I ask myself what is important to film today?" - Vincent Moon's visit is twofold: on the one hand to explore some experiences that are "important to film today"; on the other hand, a moment of encounter and projection in Barcelona, with his Live Cinema or Film-Trance - sound and visual exploration.
Vincent Moon's work connects with one of the investigations opened at the Unidentified Video Observatory : Silence in the awakening of worlds . At first, this research started from taking the visionary experience seriously and investigating the ways in which it unfolds, through the cracks of this world, from Surrealism to the current decline of naturalist secularism. In a second moment, which we have called first, during the immersion in the materials: The Mirror of the Night ("Mirrors: no one has yet described, knowing it,/ What you are in your being,/ You, like interstices of time,/ Filled only with holes of sieve. / You, still wasters of the empty room,/ At the hour of twilight, vast as forests..."); and now, at the moment of exposure and encounter: The black anti sun , which starts from taking seriously Rilke's intuition in the Sonnets to Orpheus: "Gesang ist Dasein" (To sing is to exist) .
«"But the great black anti-sols, wells of truth in the essential weft, in the grey veil of the curved sky, come and go and suck each other in, and people call them ABSENCES" (René Daumal). These splendours, the aim of the human being is to collect them (...). And it is precisely by fighting against the inertia of the body and the sleep of the soul, by practising techniques of awakening - physical awakening, spiritual awakening - a kind of "long, immense and thoughtful alteration of all the senses", that allows us to overcome the material and spiritual order of this world, in short, by leading a counter-life» (Jacques Lacarrière, Les gnostiques ).