In Saint-Louis, Senegal, it is customary to bring offerings to the water spirits when a child gets born. They traditionally make offering to the Spirit of the River. The building of infrastructures for water mastery has endangered the delta environment in the beginning of the 1980s. And populations are suffering.
UntitledAfrica
8 Archival description results for Africa
This documentary explores migration to Spain from the Senegalese point of view.
A conversation at the microMeeting de Ru'a [visions] at the CCCBA. 05.17.2013 "Knowing the West with my own eyes ... Despite globalization, we never see images of the white man working ... We see that he is in a hurry, but who cleans his streets? ... My grandfather told me that the white man He deceives us, tells us that we are poor, but we are not! What happens is that he only knows one level of wealth, the most basic, the most ephemeral and material ... For him, everything that is not visible is madness or superstition ... "
Baye Fall is a Muslim practice derived from mouridism, a Sufi based faith deeply rooted within Senegalese culture. Through the story of one family, the film explores the beliefs and lifestyle of Baye Fall followers.
UntitledMost of the walls of houses in Saint Louis, Senegal, are covered with paintings depicting the master of the Mourid Brotherhood, Amadou Bamba. These frescoes are also to be found on ships' flags, on barouches, and in bedrooms. Most of them bear the signature of Thiam B.B. This film introduces us to Mourid ideas through these paintings and a meeting with Thiam, a mystical, vagabond painter.
Untitled“I live on the campus of the Gaston Berger University at Saint Louis, Senegal. I have met there Africans from different parts of the continent. Of all these friends, one of them, a Senegalese, has stuck in my mind. He was the first to speak to me of my difference, the fact that I come from Central Africa. He let me become acquainted with his society, its taboos. Today I do not know where he is. I just know that one day he left on a pirogue headed for Europe. From his absence came the desire to make a film on our meeting, our differences, the places we crossed, the friends we knew.”
UntitledIn Dakar, a disturbing friendship between the filmmaker Khady Sylla and Aminta, two women who are caught in depression or madness. A moving mirror portrait that attempts to express an inescapable desperation.
UntitledDeparting from the title, the video establishes a divergent parallelism in between the wife of the Senegalese migrants’ and the Odysseus’ Penelope. The protagonist do not just take Penelope’s roll, but subvert it. Parallelism due the similarity in the long periods waiting for their husbands’ return home. Divergence because, here these women take the enunciation power, to tell us how they deal with their reality and they how negotiate with the social pressure surrounding them, that like in the Odysseus, would love relegating them into a second term.