Border Crossings touches on crucial issues that surround the increased militarization of the U.S. / Mexico border. The United States Border Patrol, now part of the new formed Department of Homeland Security, has a history of abusing its power. Examples of this abuse range from sexual assault to unnecessary use of deadly force.

Islam stands for change. It seeks to change the individual and society, into a community: the “ummah”, an Arabic word that comes from the root "um", or "mother". This change covers every aspect of human life from personal morality ho business, economics and politics. It is only natural that Islam should be fought by those who want to keep the status quo. “On the pilgrimage (to Mecca), I had close contact with Muslims whose skin would be classified as white, but these particular Muslims didn't call themselves white. They looked upon themselves as human beings, as part of the human family and therefore they looked upon all other segments of the human family as part of that same family. So, I said that if Islam had done this, perhaps if the white men in America would study Islam, perhaps it could do the same for them”.

Video footage questioning who is the terrorist and why. Reflection on the daily conflict in the occupied territories accompanied by Rap music produced by youth under occupation and inspired by the Intifada.

From conflicts and uprisings in Cincinnati, racism and misery, to the events that have shaken the start of this new century. Until there is justice there will not be peace. NO JUSTICE, NO PEACE offers a window into the world of today's politically active youth. This compelling video presents portraits of four Ohio college students who are active in a variety of issues including the fight for equal education, affirmative action, affordable housing, civil liberties, and women's rights; an end to racial profiling and police brutality; and the Israeli-Palestine conflict. While all four share a passion for justice and equality, their perspectives, strategies and tactics differ - offering the audience a look at the complexity of youth activism in the new millennium.

On Translation: Fear/Miedo is a televised intervention based on a video production that weaves together interviews with people who experience the tensions of the border zone on a daily basis, archival televised footage that makes reference to the idea of fear on the border between Mexico and the United States, and other documentary and journalistic material. The video aims to reveal how fear is a translated emotion, revealing itself in differing ways on both sides of the border as a cultural/sociological construction based on politics and economics. On Translation: Fear/Miedo was broadcast between August and November 2005 in four distinct locations that connect the centres of power/decision-making with the places where these policies are evident everyday: Tijuana, San Diego, Mexico City and Washington, DC.

After the Sept.11 terrorist attacks, more than 5,000 people, mainly non-U.S. nationals of South Asian or Middle Eastern origin, were taken into custody by the U.S. Justice Department and held indefinitely on grounds of national security. Muslim immigrants were subject to arbitrary arrest, secret detention, solitary confinement, and deportation. Many were denied access to legal representation and communication with their families.

"Planet of the Arabs" is an experimental short illustrating Hollywood's relentless vilification and dehumanization of Arabs and Muslims by making use of TV and film clips to create a "preview" for the ultimate Hollywood movie.

A video about Mumia Abdul Jamal, an Afro-American journalist condemned to death for an incident that has never been cleared up.

The Terror is British colonialism and cold war imperialism The Time is 1953. This documentary treats colonialism and western cold war imperialism in the context of the British army invasion of Guyana in 1953. Focusing on the economic and cultural repression of the Guyanese people, the Victor Jara Collective captures the force of the historical events that clarifies the struggles of the working and peasant class. Centering around historical references, interviews and nine Poems of Resistance by Martin Carter, the film deals critically with the total impact of the period. It reveals the complex nature of colonialist domination in daily life presenting images which examine the psychological consequences of poverty and oppression. In examining the effective use of Carter's poetry, which was banned in Guyana, Eusi Kwayana, leading member of the working people's alliance, sees the collection as a cultural product to enrich the struggle with "ideological nourishment."

Apparent contradiction, Guerrilla News Network accepts a surprising assignment: to create a radical video clip for white hip-hop superstar Enimen's White America. Apocalypse in the streets, the American Dream impregnated with the smell of decay.