In this documentary, director Ethem Ozguven records the gradually disappearing culture of fishermen in small Turkish towns and villages on the Mediterranean coast. He only occasionally lets local fisherman talk to his disinterested camera, as they nostalgically recall the days when fishing could maintain an entire family without any problems. In recent years, however, they can barely scrape by due to various directives limiting fishing an ever-declining fish stocks. The film also draws attention to the fact that it is not just fish that are disappearing from these places, but the previously numerous Greek community as well.

Sheep breeders who see their sheep die from dioxin. An environmental teacher who fights against environmental crimes. Farmers who cultivate land polluted by the nearby dumps. Stories, reports and testimony of the massacre of a land. We are in Italy, in the Campania region where there are 1200 unauthorised toxic waste dumps. In the background, the Camorra business that uses lorries and mechanical diggers instead of pistols. A Camorra with white collars, deviated entrepreneurial activity and colluded institutions...

On January 15, 2008, Israeli tanks destroyed the Peace Park, the only public park in the Gaza Strip. It had been a donation from the city of Barcelona to the residents of the Gaza Strip. The documentary gathers the testimonies of the neighbours hours after the attack. If they need to recover their public spaces, do we have to simply pay what Israel breaks?

Set in an imagined present in which a bridge spans the Strait of Gibraltar, Atlantropa mixes fact and fiction by connecting the bridge to contemporary news reports and to a modernist architect's vision: to dam the Strait and create a new continent. Originally intended as a symbol of unity between Africa and Europe, the bridge is eventually seized by EU forces and takes on a completely different meaning. The Gilbraltar Bridge, first mentioned in science fiction by Arthur C. Clarke, has more recently been investigated as an actual possibility by the United Nations.

A family’s place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at an idea of freedom, which is reflected in the hand-processed Scope format, but is undercut with a sense of foreboding. There’s no particular story; beginning, middle or end, just fragments of lives lived, rituals performed.