ovni 2011

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            ovni 2011

              106 Archival description results for ovni 2011

              106 results directly related Exclude narrower terms
              Miss Navajo
              ES ES-OVNI CTX-S014-SS001-0062 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Directed by Billy Luther, whose own mother was crowned Miss Navajo 1966, the film reveals the inner beauty of the young women who compete in this “celebration of womanhood.” Contestants must not only show the same poise and grace as in other pageants, they must also answer tough questions in Navajo and demonstrate proficiency in skills essential to daily tribal life: fry-bread making, rug weaving, and sheep butchering. For the past 50 years, Miss Navajo Nation has celebrated women and their traditional values, language and inner beauty. The film follows the path of 21-year-old Crystal Frazier, a not so fluent Navajo speaker and self-professed introvert, as she undertakes the challenges of the pageant. It is through Crystal's quiet perseverance that we glimpse the strength and power of Navajo womanhood. The film reveals the importance of cultural preservation, the role of women in continuing dying traditions, and the surprising role that a beauty pageant can play.

              Untitled
              MoneyBart
              ES ES-OVNI CTX-S014-SS004-0004 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              British street artist Banksy was invited to create the opening sequence of an episode of The Simpsons and took the opportunity to denounce the fact that part of the animation process is outsourced to South Korea.

              Untitled
              My Dream House
              ES ES-OVNI CTX-S014-SS001-0125 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              Four families in Israel/Palestine built their dream houses. This process confronts them with the wounds of their past and takes us into their dreams for a better future: Kalman was born to Holocaust survivors in a refugee camp in Cyprus after World War II, his first house in Israel was a house left by the Arab community in Haifa.Zaki is the son of Palestinian refugees who were expelled from their village in the Israeli War of Independence, the Palestinian Naqba of 1948. He and his family live only few miles away from the ruins of their former home. Michal, daughter of Israeli settlers in Sinai, saw the bulldozers destroy her beloved home during the evacuation from Sinai in 1982 and Rina never had a private home in the Kibbutz where she grew up. Through these personal stories Tal creates a sensitive kaleidoscope of Israeli society at the beginning of the new Millennium.

              Untitled
              My Dubaï Life
              ES ES-OVNI CTX-S015-SS007-0020 · Item · 2011
              Part of Non-Identified Video Observatory (OVNI)

              Traditionally considered a postmodern city, Dubai is actually a confrontation between two ways of life. The most densely populated part of the city lives in what could be considered a “modern” architecture and society. The other and more widely known part is based along the lines of the postmodern philosophy that Jeremy Rifkin has described so well.

              Untitled
              ES ES-OVNI CTX-S014-SS001-0081 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              A commentary on the timeless teachings of Sri Nisargadatta Maharaj, one of the greatest Hindu sages of India. Dr Stephen Wolinsky takes us on a three-hour excursion through the roots of Advaita Vedanta philosophy, neuro-science, and the nature of the "I". Continuing where I Am That I Am (Part One) leaves off, this second film explores the revolutionary discoveries of science which validate and support the wisdom of the Buddha's Heart Sutra, the underlying science of yoga, the foundational discoveries of quantum physics and current research in neuroscience.

              Untitled
              ES ES-OVNI CTX-S014-SS001-0087 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              On Power, Dissent and Racism documents a series of talks and conversations with writer and MIT professor Noam Chomsky in 2002 in New York City and Cambridge, Massachusetts. With rigorous analysis and humour, Chomsky presents his reflections on the motivations behind 9/11 and its consequences on the international system. In this one-hour documentary Chomsky starts with the principle that we need to think globally if we want to understand the word of today. He defines the notion of terrorism within its historical context and gives his thoughts on how we should fight without exercising the politics of the most powerful. Among many others topics, Chomsky also gives his personal views on the role of the media in the war on terrorism, and on racism against Arabs and Muslims since 9/11. On Power, Dissent and Racism documents a series of talks and conversations with writer and MIT professor Noam Chomsky in 2002 in New York City and Cambridge, Massachusetts, capturing Chomsky presenting with rigorous analysis and humor his reflections on the motivations behind 9/11 and its consequences on the international system. In this one-hour documentary Chomsky starts with the principle that we need to think globally when we want to comprehend the word of today. He defines the notion of terrorism within its historical context and gives his thoughts on how we should fight without exercising the politics of the most powerful. Among many others topics, Chomsky also gives his personal perspectives on the role of the media in the war on terrorism, and personal views on racism against Arabs and Muslims sice 9/11.

              Untitled
              Oscuros Portales
              ES ES-OVNI CTX-S014-SS005-0007 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              “Located in the historic city center, the once old former Barrio Chino had become a succulent real estate treat waiting to be carved up. To the North, a legion of civilians holed up in museums, universities and centers of contemporary culture waiting until the police finished clearing the streets of the destitute. To the South, the deputies of the tourism industry unloaded the hordes of the idle from the modern cruise ships anchored in the port. It was the start of an all-out siege, a war that fed on the city's streetwalkers. The battle was waged one house at a time...”

              Untitled
              ES ES-OVNI CTX-S014-SS001-0029 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              This documentary gives an overview of the origins of the financial crisis in the United States, and how the solutions proffered in response to it have set the scene for the next crisis. This documentary directed by Martin Borgs for European and US television includes interviews with Vernon Smith, Peter Schiff, Robert Van Order, Megan McArdle, Gerald Celente and former US comptroller general David Walker.

              Untitled
              Passing the Rainbow
              ES ES-OVNI CTX-S014-SS001-0084 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Passing the Rainbow looks at ways of subverting the strict gender norms in Afghan society, in areas like performance and film production as well as in daily and political life. A theatre company run by a young teacher in Kabul who moonlights as an actress, a policewoman who also directs action films, an activist with the organisation RAWA who defends the radical separation of State and religion, and Malek, who lives as if she were a boy in order to get a job: these women are the heroines of Passing the Rainbow.

              Untitled
              ES ES-OVNI CTX-S014-SS001-0022 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              Canada's tar sands are an oil reserve the size of England. Extracting the crude oil called bitumen from underneath unspoiled wilderness requires a massive industrialized effort with far-reaching impacts on the land, air, water, and climate. It is an extraordinary spectacle, the scope of which can only be understood from high above. In a hypnotic flight of image and sound, one machine's perspective upon the choreography of others, suggests a dehumanized world where petroleum's power is supreme.

              Untitled