Five Palestinian, Israeli and international activists paint themselves blue and don pointy ears and tails that make them look like the characters in the film Avatar. Although their colonisers are from different origins, the Avatars, like the Palestinians, fight imperialism. 'The Avatars' presence in Bil'in today symbolizes united resistance to imperialism of all kinds.

1968. A handful of pioneers, mostly Europeans disappointed by Western society, set out to build Auroville, a utopian city of dawn. Forty years later, their desert plateau somewhere in Tamil Nadu, India, has become a jungle. Each day, some 2000 Aurovilians try to live by the ideals of Mira Alfassa, known as the Mother. In order to grow, they must push the limits of their environment and their own consciences through thick and thin. It is an enormous task. This documentary looks at the life of Aurovilians and the paradoxes of cities, and explains the reasons that led them to start afresh and reject a system that is on track to dominate all continents in the near future.

Abu Dhabi Style shows us some glimpses of the city, and introduces us to the students' lives at the college and during their spare time. But we also learn about traditions and the importance of religion in the lives of these modern young men.

Janata Bennuna is from Morocco; Hanan Al Shaykh is from Lebanon; and Nawal Al Saadawi is from Egypt. All three are authors of the Arab word, committed intellectuals who shed light on the complex social reality of the Arab world through their books. In their hands, literature becomes a weapon through which to draw attention to and denounce situations that they oppose. The three women, from a generation heavily influenced by Pan-Arabism, initially studied against the wishes of their families, but ended up gaining their support. In A Woman's Word, these three very different writers who nonetheless share a common ground talk about their lives and their work. By learning about them, we also gain an insight into the Arab world, which is much more complex than the Manichean and mostly malicious information on the subject that predominates in our own society today. They too are Arabs, women, who refuse the victim mentality, and demand their rights through their work and their commitment.

This film seeks the truth behind one of the most mysterious Nazi propaganda films ever shot inside the Warsaw Ghetto: a silent film that meticulously placed staged scenes of Jews enjoying a life of luxury in the ghetto alongside other chilling images that required no staging at all. Ironically, after the war, filmmakers and museums used fragments of the film as objective, general illustrations to accompany narratives of survivors and other written documents. Few people were aware of the dubious manner in which these images were created and the true but inconceivable reality that they bear witness to. The cinematic deception was forgotten and the black and white images remained etched in memory as historical truth.A Film Unfinished shakes our naive trust in photographic images and the way we perceive the historical past.