This film explores the lives of a refugee community, the Saharawis, whose land was stolen and they were condemned to live in a forgotten corner of the Sahara desert. The human face of this long struggle for independence is shown through a child called Hussein and his family.

Documenting the steadfast movement against intellectual property, Part 1 of Steal This Film takes account of the prominent players in the Swedish piracy (copyright infringement) culture: The Pirate Bay, Piratbyrån (Piracy Bureau), and The Pirate Party. It includes a critical analysis of the legal action taken by the Hollywood film industry to leverage economic sanctions by the United States government on Sweden through the WTO, in order to pressure Swedish police into conducting an illegal search and seizure for the purpose of disrupting a competitive distribution channel: The Pirate Bay tracker for P2P Internet file sharing with the BitTorrent protocol.

Following Nigeria's independence in 1960, the British left the country but multinationals began to proliferate thought the land, specially after the discovery of the region's largest oil well. Agriculture, which had previously given the country a degree of economic equilibrium, was hurt by the agreement between Nigeria's new leaders and foreign investors, which resulted in the expansion of the oil fiends and the destruction of agricultural land. The documentary reflects this situation through the musician and political activist Fela Kuti and his son Fema Kuti. Music is depicted as the awakening of a conscience, as a celebration of life and African roots, and as an indictment of a government that acts as a franchise of western multinationals.

Voice 1: “They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters of their own lives. Just as we do not judge an individual by what he thinks about himself, we cannot judge such a period of transformation by its own consciousness. On the contrary, this consciousness must be understood as reflecting the contradictions of material life, the conflict between social conditions and the forces of social production.”

A story of the war in Iraq from a perspective rarely seen. The primary point of view is Iraqi - a family grieving the tragic death of its eldest son. After years of hard work, Ra'ad, an Iraqi portrait photographer, has saved enough money to open his own shop. On the night of the opening, while volunteering to guard the ancient mosque in Kadhimiya, Ra'ad is shot and killed by an American patrol.

There is a glut of wealthy in the city of Saba. Everyone has more than enough. Even the bath stokers wear gold belts. Huge grape clusters hang down on every street and brush the faces of the citizens.

A hand-processed film in which thousands of people climb a rocky mountain terrain. The destination and purpose of their ascension remains unclear. A vague, mysterious and unsettling pilgrimage fraught with unknown intentions. Available online until December 27th 2020.

Since the invasion, hundreds of thousands of Iraqis have been detained by the US, one and a half million Iraqis have had an immediate family-member detained, almost every Iraqi knows someone who has been through the US detention system. Few American institutions affect the lives of ordinary Iraqis more directly and profoundly than the US detention system.

The Planet is an attempt to find answers about the truths and untruths of the alarming global changes that many claim are already in motion. The film crews have been working for more than 2 years and have visited over 25 countries around the world. The unexpected content in The Planet will unlock the alienated attitude many people have built up in relation to the subject. The Planet is about much more than climate change. It's about the Earth as a whole - it's about the overall global changes we are experiencing right now.