In 2005 a food crisis hit Niger. Out of a population of 12 million, 3.6 million went hungry and 800,000 children faced starvation. But activists in Niger claim that the famine was not caused by drought.

A documentary that examines America's policies regarding making war, most recently the Iraq war and what is termed “the Bush doctrine”, which includes pre-emptive strikes. The author suggests that this policy has been in the works for many years, reviewing past wars in the 20th century. A variety of individuals are asked “Why de we fight?” and, predictably, come up with a variety of answers. This is followed by a look at today's U.S. military/industrial complex via interviews with individuals involved in it.

How can you document the elusive stuff myths are made of? That is what the furtive chalk graffiti on freight train wagons is, the fleeting consecration of their anonymous creators. The word “graffiti” stands for an art with schools and aspirations, very different from that other fleeting and legitimately popular art, which may bring to Argentinian minds the painted messages on the rocks of Mar del Plata. Bill Daniel pulls it off by getting onto those bare wagons with his camera, by traveling with those who load them and the tramps who use them.

On August 6th and 9th, 1945, two atomic bombs vaporized 210,000 people in Hiroshima and Nagasaki. Those who survived are called “hibakusha” -people exposed to the bomb- and there are an estimated 200,000 living today. Today, with the threat of nuclear weapons of mass destruction frighteningly real -the world's arsenal capable of repeating the destruction at Hiroshima 400,000 times over-, filmmaker Steven Okazaki revisits the bombings and shares the stories of the only people to have survived a nuclear attack.

War Made Easy reaches into the Orwellian memory hole to expose a 50-year pattern of government deception and media spin that has dragged the United States into one war after another. The film exhumes remarkable archival footage of official distortion and exaggeration from LBJ to George W. Bush, revealing in stunning detail how the American news media have uncritically disseminated the pro-war messages of successive presidential administrations.

In Dakar, a disturbing friendship between the filmmaker Khady Sylla and Aminta, two women who are caught in depression or madness. A moving mirror portrait that attempts to express an inescapable desperation.

When Israel withdrew from the Sinai Peninsula in 1982, the city of Rafah was suddenly split, between Egypt and Gaza, by an immense metal and concrete wall. Families found themselves divided by a highsecurity international border, though their houses often lay less than 100m apart. Before long, influential families moved their business underground, through dozens of secret tunnels burrowed below the Israeli border fence. Everything moves through Rafah's tunnels: from cigarettes and drugs to cash and people. It is a vast enterprise, and pays five times the average annual Gaza salary in one month. It is a family business, passed on from father to son and always - for reasons of security as well as economics - kept in the family.

Rituals from Phuket island, Thailand South, dedicated to the sons or representations of Doumu Godess (Kwam Im on Thailand). Ascetics devotees in Chinese Temples performing in trance doing transfixion, fire walks, hot oil flagellation, nails bridge walk and procession for their purification.

Khue, a Buddhist monk, the clown Phong and the young prostitute Thuy reflect on their personal experiences during three different decades of Vietnamese history. French colonialism, the Vietnam war and the current effects of globalization create an image of a Hanoi teetering between the influences of modern, Western ideas and traditional Asian values. The protagonists' fragmented memories draw a picture of Vietnamese day to day life but also deal with the social changes of the past 70 years.

A hand-processed portrait of Jake Williams – who lives alone within miles of forest in Aberdeenshire, Scotland. Jake always has many jobs on at any one time, finds a use for everything, is an expert mandolin player. He has compost heaps going back many years. He has a different sense of time to most people in the 21st Century, which is explicitly expressed in his idea for creating hedges by putting up bird feeders. It struck me straight away that there were parallels between our ways of working - I have tried to be as self-reliant as possible and be apart from the idea of industry - Jake's life and garden are much the same - he can sustain himself from what he grows and so needs little from others. To Jake this isn’t about nostalgia for some treasured pre-electric past, but more, a very real future.