A man planned to get married. From there, everything starts. A series of photos, which retrace his evolution (death, separation, distance and birth) in a fixed frame with a masculine voice in off which tells us the invisible stories behind the photos.

Can Baz is a film made from the perspective of a member of Alevi Kirmanc in East Anatolia, whose religious philosophy is expressed in the statement: What you seek, seek not in Mecca, not in Kaaba and not in Jerusalem, seek rather in yourself. The effects of the last massive annihilative attack, which began in 1994, can be refound in the example of Murat and Ahmet Öztürk, two brothers living in exile and addicted to drugs in Istanbul-Beyoglu. The film portrays their life with their band, Siya Siyabend; their friend Hasan Isik, an inhalant-sniffing street kid; and their pursuit of freedom by the wrong means.

Traces of the past and neglect gradually merge into spaces that leave new traces, ones that represent time regained and the search for meaning through communal life and the land as a bridge for human relationships. In December 2001, after 50 years of neglect, squatters move in to the ancient Masía of Can Masdeu and restore it as a home and rural-urban or “Rurban” social centre. The daily life of its 24 squatters unfolds in parallel to that of their neighbours, as they share the cultivation of the land and the defence of one of the last non-urbanized valleys on the slopes of Barcelona's Collserola Park.

When tourists journey to the furthermost reaches of the Sepik River in Papua New Guinea, is it the indigenous tribes people or the white visitors who are the cultural oddity? This film explores the difference (and the surprising similarities) that emerge when "civilized" and "primitive" people meet.

Round table: Colonialisism and images: an anthropological vision. Participants: Josep Lluís Mateo Dieste (anthropologist – Universitat Autònoma de Barcelona) Alberto López Bargados (anthropologist – Universitat de Barcelona) Lluís Mallart i Guimerà (ethnologist – Laboratoire d'ethnologie et de sociologie comparée, Paris X – CNRS) Moderator: Nadja Monnet, anthropologist – Contraplano LAD. A reflection on the role of images in the colonial system and their impact, given that, as we know, images played and continue to play and important role in spreading ideologies, in particular colonial ideology in the 20th century.

"Stranger is the one that is always asked: ”Where are you from, brother?” or is asked ”Is it hot in your country?” He doesn't care about details concerning the people in the country he is or about their domestic politics'. But he's the first one to suffer its consequences. He may not be happy when they are happy but he's always afraid when they are afraid". Mourid Barghouti

Under the guise of a traditional African oral tale, a storyteller from Senegal tells us a story that is not a legend or traditional fairy tale, but his own life.

Manipulated footage from a "violence compilation tape," purchased on the black market depicting men hunting and shooting Brazilian tribe members.

Deir Jassin Remembered considers the repercussions of the largely forgotten massacre of almost 100 Palestinians in 1948. The massacre at Deir Yassin was pivotal to Palestinian dispossession.