A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002
UntitledMorocco
102 Archival description results for Morocco
An initiatic journey Videos from an exhibition at the Centre de Cultura Comtemporània de Barcelona from March 26 to May 30, 2002 (a project by Albert Garcia-Espuche and Toni Serra). Into the innermost parts of the city of Fes.Using audiovisual recordings that illustrate some of the different anthropologic, sociologic, urbanistic and religious aspects that make up the fabric of the city. A journey that requires both objectivity (in the working method) and subjectivity (for the experience of the journey and immersion in another culture).
Europlex tracks distinct cross-border activities through the Spanish-Moroccan borderland and seeks to make these obscure paths visible. On their repetitive circuit around the check-point to the Spanish enclave Ceuta, the video follows in three borderlogs the smuggling women who strap multiple layers of clothes to their bodies; the daily commute of "domesticas" who turn into time travellers as they move back and forth between the Moroccan and European time zones; and the Moroccan women working in the transnational zones in Northafrica for the European market. All these trajectories move around and in between the imperative of the territorial borders. They form, however, a vital layer of the cultural and economic space between Europe and Africa.
Moroccan video panorama.
Working over the years in small and medium length pieces, one realizes that, somehow and surpassing all foresight, they work as pieces of an unexpected mosaic, pieces that are interspersed giving rise to senses and paths that are completed. Although their unexpected origin is random, their combinatory is guided by the lines of tension and fracture of each of these videos. Looking for the doors that communicate them with each other... the idea of the video as reverie and contemplation... With fragments of: Fez Ciudad Interior, Wahab, Istishara, Anoche dhikr, Al Barzaj, Satsanga, with the final possibility of El Amor es tu Destino ...
UntitledIn a time that is becoming difficult for bees (as for us) In a year of severe drought, in a country that is already often arid, taking the path of bees has been to make a journey through moors and mountains, but also through states of mind, obstacles and encounters .. until reach their generous garden. Video made for the BEEHAVE exhibition, Joan Miró Foundation 02/16/2018 - 05/21/2018. Available online until December 27th 2020.
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"Those who are on the road of the heart show their wounds...". Farid Ud-Din Attar. S.XI. Persia. Cd rom_interactive. Zayd Ibn Dawra 2000 Marrakesh. Collaborations: Zoubida el Bouzidi. IDEP.
The Song of the Hoopoe “Traveler who travels with no other baggage than imagination.”