Migration

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            Migration

              97 Archival description results for Migration

              Only results directly related
              ¿Qué son los CIE?
              ES ES-OVNI CTX-S018-SS003-0003 · Item · 2016
              Part of Non-Identified Video Observatory (OVNI)

              “The only crime that the inmates of Migrant Detention Centres (CIE) have committed is to cross some border or other, to be poor, and to be black, that's all. Remember that these people are the grandchildren of the slaves who were hunted down like animals and loaded onto ships...” Lamine Sarr. “Nobody sees the reality of Migrant Detention Centres, it's a hidden reality.” Aziz Faye.
              ¿Qué hay detrás de las mantas? Muros invisibles en Barcelona
              ES ES-OVNI CTX-S018-SS002-0006 · Item · 2016
              Part of Non-Identified Video Observatory (OVNI)

              Presentation of collectives and debate. March 3, 2016 - Hall CCCB The Popular Union for Street Vendors aims to become a political lobby to defend the claims and needs of Barcelona's street vendors against persecution, discrimination and racism. The situations that street vendors find themselves in on a daily basis require a quick, organised response and first-hand communication with political authorities and the media, in their own voice.
              Welcome to London
              Welcome to London
              ES ES-OVNI CTX-S011-SS002-0005 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              Thousands of people visit London every summer. They fill the streets with shopping bags and cameras and enjoy all the possibilities of the capital. But amongst the crowd another type of visitor exists. Kwaku is a Ghanaian living in London. There, he finds himself dealing with loneliness and boredom. He is living on standby, dreaming of a full time job and also of a friend to count on.

               Untitled
              Vencejos
              ES ES-OVNI RSC-4260 · Item · 2020
              Part of Non-Identified Video Observatory (OVNI)

              Between March and April 2020 almost all of humanity have been confined to their homes due to the coronavirus Covid-19 pandemic. This confinement, with its uncertain end, has revealed to many the incalculable value of a window. But, does everybody have one?  
              Unfolding Penelope: Excerpt
              ES ES-OVNI RSC-4194 · Item · 2017
              Part of Non-Identified Video Observatory (OVNI)

              Departing from the title, the video establishes a divergent parallelism in between the wife of the Senegalese migrants’ and the Odysseus’ Penelope. The protagonist do not just take Penelope’s roll, but subvert it. Parallelism due the similarity in the long periods waiting for their husbands’ return home. Divergence because, here these women take the enunciation power, to tell us how they deal with their reality and they how negotiate with the social pressure surrounding them, that like in the Odysseus, would love relegating them into a second term.
              Un ami est parti
              Un ami est parti
              ES ES-OVNI CTX-S013-SS007-0035 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              “I live on the campus of the Gaston Berger University at Saint Louis, Senegal. I have met there Africans from different parts of the continent. Of all these friends, one of them, a Senegalese, has stuck in my mind. He was the first to speak to me of my difference, the fact that I come from Central Africa. He let me become acquainted with his society, its taboos. Today I do not know where he is. I just know that one day he left on a pirogue headed for Europe. From his absence came the desire to make a film on our meeting, our differences, the places we crossed, the friends we knew.”

               Untitled
              Todos estamos en peligro (*)
              ES ES-OVNI CTX-S018-SS004-0003 · Item · 2016
              Part of Non-Identified Video Observatory (OVNI)
              • “It’s hard to come to terms with the fact that the supposedly civilised society that you fled to, seeking refuge, is so brutal.” -“People say: “get civilised”. But when you get civilised you realise that it’s the worst thing they could have taught you. Do you know what they mean by “getting civilised”? Have money, go shopping, spend money, and always keep in your head: I want more, more, more... Consume.” - the persistence of Eurocentrism in European dissidence. (*) Title of Pier Paolo Pasolini’s last interview.
              The Other City
              The Other City
              ES ES-OVNI DIF-S004 · Series · 2016
              Part of Non-Identified Video Observatory (OVNI)

              Nievell Zero - Fundació Suñol - Act 34

              Opening: Thursday 21st, July, 7:30 pm

              The works selected for Act 34 at Nivell Zero focus on analysing the concept of the city as a diverse, living, alternating phenomenon. Seen through this prism, the other city is an imagined, dreamed, stifled, revolutionised, abandoned place that eschews the neoliberal paradigm of the metropolis as a stage for doing business and disdains the identical, cloned theme-park cities found in so many places across the world.

              The six works featured in the show shine a torch into the dark corners of cities such as Barcelona, Cairo, Casablanca, Marseille, Naples and Beirut.

              Each video will be screened as a looped projection at Nivell Zero on a given day of the week. In parallel, visitors can also watch eight documentaries from OVNI Archives, on demand on two computers in the gallery.

              Calendar of screenings:

              Morning screenings: 11am-12am-1pm / Afternoon screenings: 4pm–5pm–6pm-7pm

              BARCELONA > Port Trade Portrait . David Batlle. 2014. Spain. OV in Catalan with English subtitles. 37’

              Morning screenings: 11am-12am-1pm / Afternoon screenings: 4pm–5pm–6pm-7pm

              CAIRO > Erhal [Leave] . Marc Almodóvar. 2011. Egypt/Spain. OV in Arabic with Spanish subtitles. 55′

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              CASABLANCA > Des Murs et des Hommes . Dalila Ennadre. 2013. Morocco/France. OV in Arabic with Spanish subtitles. 82′

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              MARSEILLE > La Raison du Plus Fort . Patric Jean. 2003. France. OV in French with Spanish subtitles. 83’

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              NAPLES > In Purgatorio . Giovanni Cioni. 2009. Italy. OV in Italian with Spanish subtitles. 69′

              Afternoon screenings: 4pm–5pm–6pm-7pm

              BEIRUT > Ça sera Beau. From Beyrouth with Love . Waël Noureddine. 2005. Lebanon/France. OV in French with Spanish subtitles. 30′

              https://www.fundaciosunol.org/en/exposicion/acte-34-la-ciutat-altra-arxius-ovni/

              https://www.fundaciosunol.org/en/exposicion/acte-34-la-ciutat-altra-arxius-ovni/