A fairy tale in disconnected fragments. Memories of the early days of black and white television. Hyper-realistic flashbacks already in the unthinkable era of the touch screen.

The picture is really made up of thousands of tiny dots.

Empty lifeboats on a darkening sea.

Felix the Cat and the Cathode Ray.

Spectrum of emitted light, returning spectrum molecular signature.

Saturday, February 26th 2016.

Presentation after the screening of the film "The War Game" by Peter Watkins with Rafael Poch, journalist and writer specialized in international politics. The discussion was organized by Falconetti Peña and Simona Malatesta, as part of the research project "Art, war and Insubmissión".

His Name Was Not Frankenstein

The fragmented face and the wrath of the clan

Faculty of Geography and History, room 409, Universitat de Barcelona, Montalegre 6

 Why do we find the fragmented face of Frankenstein’s Monster so fascinating? The monster in the 1931film was certainly one of the most successfully characterisations in the history of cinema, but there issomething more: it raises a question that goes beyond the creen and has something to do with the idea of that spectre haunting Europe that opens The Communist Manifesto.

The workshop will dissect the film Dr. Frankenstein (1931) to try and understand how terror and dreams are      connected in the logic of the fight against the master.

https://www.libroscorrientes.es/frankenstein/

https://www.libroscorrientes.es/frankenstein/

ECOSYSTEMIC MEMORIES OF THE CITY

NON-SUBMISSIVE LANDSCAPES

ECOSYSTEMIC MEMORIES OF THE CITY

Collaboration with Bornlab (El Borne CCM) for a collective approach to the contemporary imaginary of natural resources and territory, based on the sharing of current geopolitical issues that have an echo in the city of Barcelona.

This edition of the community studies group "Ecosystemic memories of the city" proposes a series of sessions in which we collectively approach the contemporary imaginary of natural resources and territory, based on the sharing of some current geopolitical issues that have an echo in the city of Barcelona.

Natural resources and the territory, based on the sharing of some current geopolitical issues that have an echo in the city of Barcelona. Through the contributions of various entities and people who connect us with critical archives, social actions and cultural initiatives in the city, we will address the recovery of community forms of agricultural social organization in contemporary pedagogies, images and slogans of movements for the protection of the land, as well as the reflection, from various worldviews, on cultural heritage and in connection with environmental issues that affect different international contexts.

The programme is organised in a participatory methodology that includes working groups where knowledge is pooled and perspectives are shared between guests and participants. In the different meetings, cultural proposals are discussed to explore the relationship between memory, community and ecology through collaborative experimentation and public action, which are included in the fanzine that is distributed in the closing session.

The Community Studies Group is a proposal of Bornlab, the community mediation programme of Borne CCM with the support of community mediation programme of Borne CCM in collaboration with Coalició Prou Complicitat amb Israel, La Colectiva de Chilenas de Barcelona, Comunitat Palestina de Barcelona, Laboratorio Móvil, OVNI (observatori de Vídeo No identificat) , Ruangrupa i docents i investigadores de l’Institut Català d’Antropologia, el Col·legi de Psicòlegs de Barcelona, l’Escola Massana and la Universitat de Barcelona.

Further information and registration: elbornculturaimemoria

NON-SUBMISSIVE LANDSCAPES

Thursday 8.2.24 from 6 p.m. to 7.30 p.m.

Through the audiovisual archive, we will reflect on movements led by communities in Chiapas, Palestine and Ecuador who are

Chiapas, Palestine and Ecuador who are organising themselves against the deterioration of their ecosystems and claiming the right to use and protect their land.

1_ Land and traditions

Practical information

           A presentation of Kurdish films by the Rojava Kurdistan Film Commune (Northern Syria)

OVNI has collaborated with the Rojava Film Commune in a project aimed at researching, screening, and promoting their work in Spain, Italy, and France. A process of investigation through videos, texts, and meetings, in order to listen to their voices and understand their struggle together. We have created a website that you can visit link.

Komîna fîlm a Rojava (Rojava Film Commune) is a collective of filmmakers founded in 2015, based in the autonomous Rojava region in the Federation of Northern and Eastern Syria. The Commune is actively working in the region to rebuild and reorganise filmmaking and film education infrastructures.

The Rojava Film Commune was established to promote local film culture by organising film screenings, facilitating discussions on the role of film within society, producing new films, and setting up a Film Academy. Following the 1960 fire in Rojava’s only cinema in the city of Amude—which saw the death of 298 children trapped inside—the Commune aims to reclaim film as a central space for reimagining society, by democratising and revolutionising the imagination itself.

The Commune has educated a new generation of Rojava filmmakers, organized screenings in cities and villages, and produced new films. It seeks to represent the values and ideals of the Rojava Revolution, but also to mediate and depict the daily struggles in the Syrian civil war and Rojava’s collective attempt to build a new society.

The Rojava Film Academy provides education for aspiring filmmakers in Northern Syria. Founded in 2015, it offers one-year programmes, with courses on international film history, Kurdish film history, film theory, photography, cinematography, script writing, editing, and sound design, taught by local and international film professionals.

The Academy is self-organized and non-hierarchical, encouraging students to participate in every aspect of its organization. Exchange networks have also been set up with other academic, media, and news platforms, and with civil society organizations, in order to engage in broad discussions and create screening possibilities. Considering the influx of foreign filmmakers and journalists to Rojava, it is important for the Commune to reclaim the representation and imagination of the revolution.

After decades of oppression of Kurdish language and culture, the Rojava Film Academy aims to revitalize local film culture, reclaiming the power to narrate and imagine one’s dreams and realities. After the Syrian Civil War started, the predominantly Kurdish northern region declared the Autonomy Administration, creating structures based on grassroots democracy, women’s liberation, and cultural diversity.

The Academy bases its methodology on ‘revolutionary realism’, i.e. a realism that does not merely reveal the current reality in a new way, but also restructures the reality of the possible . As well as finding forms to express things as-they-are, it creates the opportunity to imagine the not-yet-present, the ‘eternal becoming’ that is the revolution itself.

https://rewend.desorg.org/

https://rewend.desorg.org/

The Purple Meridians III

The Purple Meridians III

Over the past two years, a total of 19 filmmakers based in the three countries have met, online and in person, to discuss obstacles they face as women and non-binary people in the audiovisual industry, to exchange ideas and resources, and to create together.

Preparations are underway in Italy , Turkey , Catalonia and the Basque Country for the third edition of The Purple Meridians 2023 , with the Gender Equality sponsorship by Eurimages .

This year, the project will have its public and main event at the Durango Book-Music-Cinema Fair on 7 December . Durango is a city in the Basque Country and has been chosen by the organizers of The Purple Meridians to expand even further – as is the purpose of this project – the connections among women filmmakers in Europe and beyond.

The choice of the Basque Country was therefore a ‘natural’ development as Basque filmmakers followed the first two Purple Meridians albeit ‘from a distance’. The program in the Basque Country will be possible thanks to the collaboration with the Durango Book Fair and Suargi Elkartea.

Two main themes would be the focus of this third event:

the difficulties, responses, proposals for women in the audiovisual industry to conjugate work and care work (maternity, care of children, care of elderly, care of ill partner/family member etc) and for women with disabilities.

These two themes will be discussed in a 2-session conference in Durango to be held on 7 December 2023.

Two filmmakers directly and most affected by this situation will be leading the discussion, Lisa Çalan and Ahu Ozturk . The two filmmakers, both Kurdish, will work with Basque filmmakers (who are exploring these issues in their films and who this year will be presenting a manifesto about ‘care’), as well as with the other filmmakers of The Purple Meridians (from Italy and Catalonia), not only in exposing the problems, but also in proposing answers, keeping in mind that one of the pillars of The Purple Meridians project is creating networks among women filmmakers in different countries.

The speakers will be:

Lisa Çalan, Ahu Öztürk (from Turkey, TPM), internationally acclaimed Basque actress Itziar Ituño (La Casa de Papel), Basque directors Ainhoa Olaso (winner of the Aukera program) and Estibaliz Urresola (awarded in Berlin 2023), Catalan director Lara Vilanova (TPM), Italian director Claudia Tosi (TPM), Argentine scriptwriter based in Belfast Luciana de Mello , Lebanese director Mary Jirmanus Saba , Kurdish director Sevinaz Evdike (Women Filmmakers Collective Kezi), and director Elli (Post Collective - Buriatia, Greece, Syria, Belgium).

The day will be accompanied by the screening at Irudienea (12:30h-13:30h) of Estibaliz Urresola's short film, Cuerdas , and a Work in Progress by Mary Jirmanus Saba.

At 19:00 h, the filmmakers will present to the press a summary of the conference's work.

The press conference will feature also an intervention by a Palestinian filmmaker.