An experimental documentary about the role corporations have played in shaping the American public's perceptions of the developing world. Weaving together clips of corporate-produced archival film with poetry, performance, and other metaphorically interpretive text, the tape raises questions about how public relations media operate in the constitution of power, how and by whom history is written, and how audience and consumer desire are constructed. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledMass Media Colonialismo
17 Archival description results for Mass Media Colonialismo
In 2012, on the occasion of the fiftieth anniversary of Algerian independence and the theatrical re-release of the restored version of the film "Avoir 20 ans dans les Aurès", René Vautier looks back on his career as a filmmaker involved in anti-colonial struggles.
UntitledFuck The Corporate Media analyzes the tactics, both subtle and blatant, employed by the corporate media to control your mind. This video covers just one day in the lies of the corporate media. See for yourself how they sell us out in this startling comparison between what really happened on August 21st, 2003 in Portland, Oregon, and what they say about what happened.
UntitledA palestinian home as seen by the Israeli government.
UntitledThis highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as Exodus, Lawrence of Arabia, Black Sunday, Little Drummer Girls, and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.
UntitledKiss Number Also.
UntitledSerbia, 1999. Extreme poverty, corruption, dictatorship, ethnic intolerance, NATO bombings, the people manipulated by the government-controlled mass media, hunger for democracy. 6th Independent Vídeo & Interactive Phenomena Show
"Planet of the Arabs" is an experimental short illustrating Hollywood's relentless vilification and dehumanization of Arabs and Muslims by making use of TV and film clips to create a "preview" for the ultimate Hollywood movie.
UntitledObservatory Archives 2003
/ CONTEXT 1994 - 2020
Observatory Archives 2003
The screenings for this edition will be based on a selection from the 150 audiovisual documents that have been added to the Observatory Archives over the last 18 months.
Together, this material reflects some of the most serious issues of our time, using different media and languages such as video art, independent documentary, media archaeology....to reflect the process of Globalisation and the Resistance it generates, and conflicts such as Palestine, Argentina, September 11th, etc.
The difference is that these issues, which we are used to seeing in the news headlines, loose here their relationship to news because they are taken out of this context and approached through different formal means and points of view, in a constant exchange between the micro to the macro; from microworlds and subjective experience to collective and social visions.
The program of screenings in this edition is based on a dialogue between two interconnected archives; on one hand, the works created by individuals or collectives that form the nucleus of the Observatory Archives, and on the other, the contemporary media archaeology material that makes up the Babylon Archives 1999-2003.
Autonomedia Ed. NYC. [www.autonomedia.org]
New York-based Autonomedia is one of the most lucid publishers of books on radical media, politics and the arts. They have published more than 300 titles that have influenced and given voice to a generation of authors, thinkers and social collectives, and established a dialogue between seemingly unconnected critical voices. www.autonomedia.org Their publications include: Temporary Autonomous Zones , by Hakim Bey; Digital Resistance and Electronic Civil Disobedience, by Critical Art Ensemble; Hacktivism , by the Electronic Disturbance Theatre; Pirate Utopias and European Renegades, by Peter Lamborn Wilson.
Lectures: Jim Fleming, Lewanne Jones, Eric Goldhagen.
Negativland [www.negativland.com]
Negativland Through their musical and media experiments since the early eighties, Negativland have been exploring the limits between intellectual property and market tyranny, fair and illegitimate use of information, and especially the right to deconstruct and reinterpret fragments of the media we are all constantly bombarded with.
Steve Reinke [www.myrectumisnotagrave.com]
Steve Reinke In the late 90s, Canadian artist Steve Reinke embarked on a project that consisted of making 100 separate videos. The result is a portrait of places, confessions and characters, media monsters and also ruins, forming a complex map of distant lands that are just around the corner. The Hundred Videos is a kind of web in which everything is mixed together, from the personal to mass media usurpation. In OVNI 2003 Steve Reinke will present and talk about the 100 Videos and his subsequent projects.
Lecture: Steve Reinke
A contemporary media archaeology project that collects and compiles material from the dark side of our civilization. Promotionals from corporative, militar, pharma and digital industries. Many of these audiovisual documents were not produced to last, but rather to fulfill specific functions at a particular time: training, publicity, etc...this is why, when they are taken out of the context of their time or intended use, their meaning is revealed with surprising clarity even to those used to the constant publicity aimed at consumers. The result is a disturbing catalogue of intentions, aims and the means used to achieve them.
Documents from the dark side of the empire. Government and corporate promotional material from military, pharmaceutical, digital and other mega industries...promoting them and their unspoken interests.
Many of these materials were not intended to last, but were produced with very specific purposes in mind: educational, promotional, propaganda, etc. As such, when they are taken our of their temporal or corporate contexts, they take on a transparency of meaning that is astounding, even to those who are used to consumer advertising. The result is a disturbing compendium of intentions, objectives, and the means to achieve them.
The Babylon Archives are embedded in the program (see program).
There will be a public presentation of the copyleft edition of the DVD Archivos Babilonia - The Dark Side of Empire ( 1999- 2003) .
Thematical screenings
Hall and Auditorium.Simultaneous Screenings
Centre de Cultura Contemporània de Barcelona
Montalegre 5. 08001 Barcelona
Image: Apolinario Mabini . Autonomedia's Jubilee Saints Calendar
Autonomedia Ed. NYC. https://www.autonomedia.org/
This documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. Featuring Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.
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