Simulating the advertising genre, "The Bible Belt" is an advertisement for the "Bible Belt", a normal belt which includes a small portable Bible. This video is part of a global project also called "The Bible Belt" which questions the use of religion in the media spectacle. 2 Mostra de Vídeo Independent de Barcelona 1994.

An attempt to problematize ownership and authorship in the age of digital reproduction. Inspired by the Walter Benjamin essay of the same name and the activities of the Situationist. If it could be authenticated that it were produced in 1936, this would make it the oldest known digital video work.

Acclaimed German filmmaker Alexander Kluge, one of the most relentlessly innovative and intellectual figures in contemporary German cinema/ has in recent years produced a remarkable series of works for television. Produced for the German television program "Ten to Eleven" this series comprises an extraordinarily rich body of work that compliments and dialogues with Kluge's films. Traversing realms of desire and culture in the 19th and 20th centuries, these highly experimental works weave together eclectic scenarios that reference advertising, cinema, opera, and electronic communications, and culminate in an ironic critical discourse on fantasy, representation, and history.

Through the information storm we can sense the media schizophrenia that coexists with any television viewer. Without apparent criterion, the media concoct an isolationist costume. 3 Mostra de Vídeo Independent de Barcelona 1996.

Infiltration into the convention of a major American political party. The independent video maker enters the convention very discreetly and within a few minutes reaches the presidential stratum. 3 Mostra de Vídeo Independent de Barcelona 1996.

Year 1992, the US presidential elections seen through the pirated satellite images of media corporations. Brian Springer reveals the wings of the media stage, contrasting footage from two different sources: the official media images beamed out to homes all around the world, and images meant for internal use by mass media multinationals. Images of collaborators, spin doctors, politicians and media agents preparing strategies to defeat the enemy in the arena of the television spectacle.

I left home one day like any other day and I didn't know how to return.

A process of detachment and relativization of the unknown, the different, the uncontrollable, the impact of the strange experience to generate a thought influenced both by the media and memory. 3 Mostra de Vídeo Independent de Barcelona 1996.