Mass Media Colonialismo

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        Mass Media Colonialismo

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            Mass Media Colonialismo

              10 Archival description results for Mass Media Colonialismo

              10 results directly related Exclude narrower terms
              Why we fight
              ES ES-OVNI CTX-S012-SS007-0099 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              A documentary that examines America's policies regarding making war, most recently the Iraq war and what is termed “the Bush doctrine”, which includes pre-emptive strikes. The author suggests that this policy has been in the works for many years, reviewing past wars in the 20th century. A variety of individuals are asked “Why de we fight?” and, predictably, come up with a variety of answers. This is followed by a look at today's U.S. military/industrial complex via interviews with individuals involved in it.

              Untitled
              We Live In Public
              ES ES-OVNI CTX-S014-SS001-0116 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              An extraordinary film about social networks and privacy on the Internet. Directed by Ondi Timoner, the documentary explores Josh Harris and his company Pseudo's experiences in the New York of the end of the millennium and the dot.com companies.

              Untitled
              S-11 Redux
              ES ES-OVNI CTX-S009-SS002-0022 · Item · 2001
              Part of Non-Identified Video Observatory (OVNI)

              A sound-bite blitzkrieg challenging the messages we have been from our mainstream media and the government it serves.

              Untitled
              ES ES-OVNI RSC-2565 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              This documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. Featuring Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.

              Untitled
              Planet of the arabs
              ES ES-OVNI CTX-S010-SS004-0010 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              "Planet of the Arabs" is an experimental short illustrating Hollywood's relentless vilification and dehumanization of Arabs and Muslims by making use of TV and film clips to create a "preview" for the ultimate Hollywood movie.

              Untitled
              ES ES-OVNI CTX-S010-SS005-0003 · Item · 1990
              Part of Non-Identified Video Observatory (OVNI)

              This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as Exodus, Lawrence of Arabia, Black Sunday, Little Drummer Girls, and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.

              Untitled
              Fuck the Corporate Media
              ES ES-OVNI CTX-S013-SS007-0106 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              Fuck The Corporate Media analyzes the tactics, both subtle and blatant, employed by the corporate media to control your mind. This video covers just one day in the lies of the corporate media. See for yourself how they sell us out in this startling comparison between what really happened on August 21st, 2003 in Portland, Oregon, and what they say about what happened.

              Untitled
              ES ES-OVNI CTX-S003-SS004-0004 · Item · 1992
              Part of Non-Identified Video Observatory (OVNI)

              An experimental documentary about the role corporations have played in shaping the American public's perceptions of the developing world. Weaving together clips of corporate-produced archival film with poetry, performance, and other metaphorically interpretive text, the tape raises questions about how public relations media operate in the constitution of power, how and by whom history is written, and how audience and consumer desire are constructed. 3 Mostra de Vídeo Independent de Barcelona 1996.    

              Untitled