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Tarek and Nordin narrate the history and struggles of their organisation. In the midst of the election campaign, their memories of the constant lies and failures of different governments over the last thirty years are put into perspective, somewhat tinged with resentment.

On Sunday October 18, 1970, the last day filming “Flower of the Arabian Nights” on location in Sanaa, the capital of Yemen, Pasolini decides to use some leftover rolls of film to make a documentary about the city and thus persuade Unesco to intervene to protect the beauty of this world heritage. ”With every passing day, one part of the Sanaa walls falls to pieces... One of my dreams is to save Sanaa and other cities – their historic centres. I will strive for my dream and endeavour for Unesco to intervene”, says Pasolini.

Those in power, who see any original idea as a potential seed of disruption and subversion, do not encourage the discussion of ideas or the return to our own values in order to arrive at more humane forms of development. As I made this film, I realised the extent to which Africans ignore their intellectuals. For some time now, they've been warning us about the options being imposed from outside, whether it be international banking, the IMF or even the former colonial powers. It's as though Africa lacked all trust in its intellectuals. Dr. Bado is a typical example of this contempt and lack of understanding. Those in power, who see any original idea as a possible seed of disruption and subversion, don't do anything to encourage discussion of ideas. My intention was to record Dr Bado's ideas so that future generations with greater awareness can take into account the neeed for a return to our own values in order to arrive at more human forms of development.

On March 31, 2002, Samir Abdallah, a filmmaker who was part of a civil mission to provide humanitarian aid to the Palestinian people, entered the Muqata (the compound containing the headquarters of Palestinian president Yasser Arafat), under siege by the Israeli army.