The goal of this documentary is to give a kind of snapshot of people's lives in the neighborhood of Raval in Barcelona on a normal day in wintertime in 2009. The idea was to accompany people with very distinct points of view through their everyday lives. All of these stories combine as part of one day in Raval, in which the camera changes situation and thus perspective over time, also meeting people to accompany and follow them on part of their daily route, observing and listening to their impressions of daily life in the neighbourhood. The cinematic design is to be clearly distinguishable and stand out from a classic reportage or documentary film style. The film does not follow a story in the classical way, it does not use any interviews, a narrative voice or music which is not part of the ambience in the image. Instead the camera is observing simple situations in the daily life in the Raval neighbourhood, following its main protagonists as a silent observer in their ordinary life.
UntitledEspeculación Inmobiliaria
31 Archival description results for Especulación Inmobiliaria
"A Tornallom" is a documentary about the struggle to defend de irrigated area used for cultivation known as La Huerta de Valencia. It shows us images and testimonies of the events that occurred between September 2002 and March 2003, when more than 200 residents of La Punta (in the Huerta area) were evicted from their houses. The villages were demolished and the fields bulldozed to make room for the ZAL (logistics activities zone) of the Port of Valencia, which is planned to take up around 600,000 square meters, most of the area of La Huerta. “A Tornallom", is what the agricultural workers of La Huerta call the way they swap work amongst themselves. For heavy agricultural tasks workers usually help each other, pooling their efforts to do the work on one person's field and going on to another the next day until all the work is done.
UntitledIn July 2005, the comic Leo Bassi took his Bassibus services to the city of Barcelona. In this political-tourism trip we came up close to the very heart of speculation and real estate violence, and met some of its main protagonists. Step right in and see... This tour has been possible thanks to the participation of people and groups who have been fighting for years to defend the territory and the dignity and rights of the people who live in it.
The sun does not always shine in Barcelona, the “best shop in the world” according to the slogan of a City Council campaign. The thousands of tourists who visit Barcelona every month boost the city's economy, but their social and human impact is often overlooked. The precarious nature of jobs in tourism, real estate pressure from the hotels, and the types of problems that crop up when a city turns into a kind of theme park in an attempt to seduce outsiders. The classic problems of global capitalism, reflected in one of the country's major industries... “BCN Thematic Park” talks about all this... about Barcelona, a city-advertisement that is turning into the newest theme park on the international market.
UntitledAn old building in Barcelona's historic Barrio Chino is the setting for this documentary. Real estate “mobbing” and the urban rehabilitation of the old city are the narrative thread, the economic machines that drive real estate speculation. They take over the neighbourhood, burying its history and memory.
UntitledTraces of the past and neglect gradually merge into spaces that leave new traces, ones that represent time regained and the search for meaning through communal life and the land as a bridge for human relationships. In December 2001, after 50 years of neglect, squatters move in to the ancient Masía of Can Masdeu and restore it as a home and rural-urban or “Rurban” social centre. The daily life of its 24 squatters unfolds in parallel to that of their neighbours, as they share the cultivation of the land and the defence of one of the last non-urbanized valleys on the slopes of Barcelona's Collserola Park.
Traces of the past and neglect gradually merge into spaces that leave new traces, ones that represent time regained and the search for meaning through communal life and the land as a bridge for human relationships. In December 2001, after 50 years of neglect, squatters move in to the ancient Masía of Can Masdeu and restore it as a home and rural-urban or “Rurban” social centre. The daily life of its 24 squatters unfolds in parallel to that of their neighbours, as they share the cultivation of the land and the defence of one of the last non-urbanized valleys on the slopes of Barcelona’s Collserola Park.
Concrete Coast is about the social, cultural and environmental effects of the last section of un-urbanized Spanish Mediterranean coast being built up for residential tourism in the Region of Murcia. Agriculture is disappearing along this 230 km stretch of coastline and being replaced by 60 golf courses, marinas, freeways and new large-scale planned communities with 1,000,000 residences, mainly for sunseeking British retirees who are set to double the population of Murcia within few years. The impacts of these large-scale economic and political forces are illustrated by a Spanish farming family having their land expropriated and a retired British couple embarking on their new life in a country where they do not even speak the language. How will all of this change the culture of the region? Will the populations integrate? Will these and other Spanish farmers have to emigrate?
Why do Italians vote Berlusconi? The violence of propaganda, the impotence of citizens, questions of the economy, illicit power relationships... And a catastrophe: the city of L'Aquila devastated by an earthquake... all these elements come together to show how the young Italian democracy has been subdued.
UntitledBetween 2000 and 2003, PROCIVESA, the property development company that is restructuring various areas in the old part of the city, expropriated various housing blocks in Barcelona?s La Ribera neighbourhood at a low price. And then demolished them. Local residents named the new empty space that remained where their houses used to be the "Forat de la Vergonya" (the Hole of Shame), as a way of denouncing a situation that they considered degrading for a number of reasons: the public authorities? abandonment of an area that was already problematic, the interminable construction work, the loss of rights of people relocated to new apartments, etc.
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