Okupa is the Spanish word for squat. This is a short video of two very large demonstrations that took place in Barcelona against evictions and property spectulation.
Especulación Inmobiliaria
31 Archival description results for Especulación Inmobiliaria
Traditionally considered a postmodern city, Dubai is actually a confrontation between two ways of life. The most densely populated part of the city lives in what could be considered a “modern” architecture and society. The other and more widely known part is based along the lines of the postmodern philosophy that Jeremy Rifkin has described so well.
UntitledIn 1985 the Government of Catalonia initiated the so called Cultural Agreement, which established culture as means for an understanding between left-wing and right-wing parties. Culture was destined to manage the new democracy’s rethorics. If some aspired to get the story of the country; some other, the story of the capital. The right-wing dreamed the myth of civil society; the left-wing with that of the citizen. And both saw the bourgeoisie as the symbol of their aspirations, and incidentally, how to overcome their antagonism. The Barcelona Museum of Contemporary Art (MACBA) was officially born in 1987 as a reflection of that dynamic. The common good was kidnapped since private interests were confused with public debate. The series of interviews this documentary presents wants to capture that process and provide keys of interpretation about the current cultural policies. With contributions from: Oriol Bohigas, Manuel Borja-Villel, Xavier Bru de Sala, María Corral, Josep Miquel Garcia, Daniel Giralt-Miracle, Joan Guitart, Bartomeu Marí, Miquel Molins, José Montilla, Jordi Pujol, Josep Ramoneda, Joan Rigol, Leopoldo Rodés, Gemma Sendra, Pep Subirós.
UntitledA documentary that criticizes Barcelona's mammoth urban restructuring process, which is carried out without the participation of the people who live in and use the city according to a model that chooses to ignore social memory, especially when it comes to the working class. Through the voices of some of the people behind this process, the documentary shows a side to this chapter of the city's history that is usually not presented by the media.
UntitledLa Makabra is a squatted factory, usually occupied by around fifty people. It is open to the public, and it works as a self-managed cultural centre in Barcelona's Poble Nou district. This is one of the social and artistic collectives affected by 22@, the urban design plan responsible for restructuring the district, which plans to evacuate the building. In spite of this situation the squatters continue performing shows and cabarets, because that is how they use this space, placing creativity up against consumption.
This video was edited as a result of the Captura Raval Workshop (OVNI - TEB - CCCB) "I don't think politicians have read any history at all, modern or ancient. Situations repeat themselves, and no matter how many guns they have, it will all be repeated again, because it will be necessasry. Watch out world leaders, murderers like Mr Bush...this is a Barcelona you can?t see one that hides?".
UntitledI don't think politicians have read any history at all, modern or ancient. Situations repeat themselves, and no matter how many guns they have, it will all be repeated again, because it will be necessary. Watch out world leaders, murderers like Mr Bush...this is a Barcelona you can't see; one that hides.
UntitledStranger than fiction... In 1998, seven years after the independence of the country, the autocratic Kazahk president Noursoultan Nazarbaiev decides to move the capital city Almaty to Astana, in the northern steppes. Vertiginous towers spring out of the ground, financed by oil exports. The film opens with a presidential speech in 1997 on the future of Kazakhstan, boasting to “the three layers of society, the rich, the middle class and the poor” of the infinite promise of the free market. Christian Barani and Guillaume Reynard observe the life of a new society, in the standardised and gaudy trappings of wealth. Through an ex-Soviet oligarchy in full expansion, a melancholy and poetic portrait of globalization.
A documentary about the city of Beijing which is undergoing enormous changes during the preparations for the summer Olympics 2008. A brand new Beijing, with a vision for the future, is replacing the old imperial capital. In a series of close-ups, we meet the people of Beijing who will lose their homes and face an uncertain future. They have raised their voices against the destruction of their homes and the loss of their city's history for ever.
UntitledCan Ricart, in Barcelona's Poble Nou, was a textiles factory in the 19th century and an industrial complex with numerous workshops in the 20th century. At the start of the 21st century, the approval of the urban rehabilitation project Plan 22@, meant that industrial areas in Poble Nou were earmarked for demolition, to be replaced by office buildings. Can Ricart then became the subject of litigation between the affected workshops, the developer and owner – Federico Ricart, Marquis of Santa Isabel – defenders of the heritage value of the complex who wanted it turned into public space, and Barcelona City Council, responsible for the urban plan.
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