"In 1996, I was staying in the village of Mankien in South Sudan to film the war which was taking place. At the time, I thought that making a film about an area struggling with such a severe conflict would almost have to be an act of duty. Once there, the reality appeared completely different from what I initially imagined it would be. The war that was all around me was not only a struggle between an oppressive government and a downtrodden minority but a latent conflict driven by power and economic interests. Back in Belgium, I felt overwhelmed by a strong feeling of helplessness and disillusionment to the point of never showing these images, up to now. A short while ago, I was told that the village of Mankien had been subjected to a massacre orchestrated by the Khartoum government with more than the slight complicity of Western oil companies. Closed District is not only a film about the war in South Sudan, but more about wars in general, about the death and distress that often ensues. It also raises the question of the filmmaker's place in a situation of conflict". (Pierre-Yves Vandeweerd)
UntitledBelgium
6 Archival description results for Belgium
The documentary Du Congo au Zaïre provides an insight into the current problems of Zaire, a country with a history full of controversy. It includes scenes of colonial life, the last images taken of the leader Patrice Lumumba, and the ceremonies celebrating the country's proclamation of independence.
UntitledShot in Cameroon and Brussels, Je ne suis pas moi-même explores the world of African antiquities and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do these masks make before their unveiling in the windows of the biggest galleries or art collections in Europe? Who determines the economic and aesthetic value of these objects now that colonialism is supposedly dead' And then there's a continent called Africa, in need of economic resources and therefore willing to sell its cultural heritage or, if need be, to fake it. The authenticity of the objects becomes blurred when the people that once adored them start to sell them.
UntitledIn Saint-Louis, Senegal, it is customary to bring offerings to the water spirits when a child gets born. They traditionally make offering to the Spirit of the River. The building of infrastructures for water mastery has endangered the delta environment in the beginning of the 1980s. And populations are suffering.
Untitled“Le cercle des noyés” (The circle of the drowned men) is the name given to a group of black political prisoners in Mauritania who were arrested in 1986 and incarcerated in the city of Oulata's former Colonial Fort. The documentary follows the subtle mental process of one of the ex-prisoners as he remembers his own story and that of his fellow prisoners. Like an echo, we see a series of images of the sites of their confinement – bare, stripped of all traces of this past.
Recounts Rwanda's history from the 1885 partitioning of Africa which made it a German colony, to Belgian conquest during WWI, the creation of a republic in 1961, and the ultimately catastrophic regime of Habyarimana.
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