Soraida is a Palestinian woman who lives in Ramallah, in the occupied territories. This video captures her personal struggle to retain her humanity in the midst of oppression. In her neighbourhood, the women do not all wear veils, the men do not rattle off empty political slogans, and the young people do not have bombs strapped to their belts. Life goes on despite the curfews and checkpoints that confine the people in a barless cage. Soraida invites us into her world, and that of her family and neighbours. Through their simple, everyday actions, we discover the worst thing about living under a state of siege: the loss of control over one's own life. In this vibrant plea against the occupation, Soraida shares her reflections on life in Palestine and her refusal to give in to the hate and violence.

A story of the war in Iraq from a perspective rarely seen. The primary point of view is Iraqi - a family grieving the tragic death of its eldest son. After years of hard work, Ra'ad, an Iraqi portrait photographer, has saved enough money to open his own shop. On the night of the opening, while volunteering to guard the ancient mosque in Kadhimiya, Ra'ad is shot and killed by an American patrol.

A video about Mumia Abdul Jamal, an Afro-American journalist condemned to death for an incident that has never been cleared up.

This film, shot in the war zones of the Democratic Republic of Congo (DRC), shatters the silence that surrounds the use of sexual violence as a weapon of conflict. Many tens of thousands of women and girls have been systematically kidnapped, raped, mutilated and tortured by soldiers from both foreign militias and the Congolese army. filmmaker Lisa F. Jackson travels through the DRC to understand what is happening and why.

An autobiographical tape about the mother-daughter relationship which explores their desire, house-works, illness, violence and the ways the social is inscribed in the body.

A 20 minute short movie-presentation of the insurrection of December 2008 in Greece through the words and actions of people that took part in it. The video was created in Thessaloniki in January 2009 and its first presentation took place before an open discussion-review of the insurrection in the squatted public library of Ano Poli.

“Hello, I'm going to read a declaration of war. Within the next 14 days we will attack a symbol of American justice”. - Former Underground Member Bernardine Dohrn. Thirty years ago, with these words, a group of young American radicals announced their intention to overthrow the U.S. government. Fueled by outrage over the Vietnam War and racism in America, they went underground during the 1970s, bombing targets across the country that they felt symbolized “the real violence” that the U.S. government and capitalist power were wreaking throughout the world. From pitched battles with police on Chicago's city streets, to bombing the U.S. Capitol building, to breaking acid-guru Timothy Leary out of prison, this carefully organized clandestine network attempted to incite a national revolution, while successfully evading one of the largest FBI manhunts in history.

While the social construction of femininity has been widely examined, the dominant role of masculinity has until recently remained largely invisible. Tough Guise examines the relationship between pop-cultural imagery and the social construction of masculine identities in the U.S. at the dawn of the 21st century.