2 Mostra de Vídeo Independent de Barcelona 1994.
video art
280 Archival description results for video art
A poetic return to the Chinese opera in Shanghai, its leading figures and the truths they illuminated.
General Motors 1961 Motorama film presenting new cars, appliances and futuristic ideas at their most banal. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is ten hidden behind the media curtain.) 3 Mostra de Vídeo Independent de Barcelona 1996.
This piece by Vallaure, Lamata and Musicco is a pivotal work in the history of video performance in Spain. With great doses of humour and freshness, this piece offers us an exploration of performance, its codes and languages. The authors use a simple and easy to recognise structure, a tour of the alphabet in order to, with each letter, peruse ways of doing, resources, possibilities and doubts having to do with the art performance. The piece, aware of the absurdity that it constitutes, displays great doses of lucidity, which shows in the dialogues, the comments and the clarifications given by the two main characters in the video. On occasions this couple, due to their acting, reminds us of a classic comedy pair, such as Tip y Coll. Their prosody is quick and sharp, and although their dialogue is of a humorous nature, they manage to generate quite profound reflections of a political character. The impact of this work in the ulterior development of performance in Spain is undeniable. It sets the stage for a way of critically approaching an artistic genre, which is in certain cultural circles difficult to accept. Vallaure has continued to work in the field of the happening and the performance and is no doubt one of its major exponents.
Untitled2 Mostra de Vídeo Independent de Barcelona 1994.
The definitive Populuxe film on 1950s automotive, industrial, interior and architectural design. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is ten hidden behind the media curtain.) 3 Mostra de Vídeo Independent de Barcelona 1996.
... 3 Mostra de Vídeo Independent de Barcelona 1996.
3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledAnthem is a post-industrial lamentation, structured on the single piercing scream of a young girl as she stands in the vast chamber of Union Station in Los Angeles. Viola relates this structure to the form and function of religious chants, particularly Gregorian chants (using a harmonic scale in a resonant hall) and Tantric Buddhist chants (ritual exorcism and conversation with demons). The original scream is extended in time and shifted in frequency to produce a scale of harmonic notes that comprises the soundtrack, to which Viola juxtaposes images of materialism -- industry and the worship of the body, giant oil pumps and the beating human heart, cars streaming along a freeway and blood flowing through veins, modern surgical technology and tree branches in an ancient forest. The anguished scream cuts through the corporeality of the body and contemporary culture as a living organism. For Viola, the piece is a ritual evocation of "our deepest primal fears, darkness, and the separation of body and spirit."
UntitledThe Virgin Mary appeared and thousands made the journey to commemorate it. 3 Mostra de Vídeo Independent de Barcelona 1996.
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