3 Mostra de Vídeo Independent de Barcelona 1996.
Untitledvideo art
18 Archival description results for video art
A semantic and numerical collapse, analogue-digital flow led by the voice of David Larcher. Video Void text is a mystic journey through analogue-digital noise. 3D, multicoloured butterflies navigate through seas of stormy text.
UntitledStudio Bankside was Derek Jarman’s first film. It is a diary recording daily activity in the studio where he lived and worked, and in the surrounding streets. He shot his Super8 films without prior plans, but gave weight to the resulting images by radically slowing them down, sometimes to three frames a second, and adding music. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledSensible Shoes is a witty collision of fiction and reality, ironically rendered as a multi-textual pastiche of mass media and personal narratives. Adams's fragmented collage is structured on the stream-of-consciousness monologue of an unseen woman, who collapses fantasy and the everyday as she "zaps" the television dial and skims the newspaper. Seamlessly integrating her daydreams of romance with appropriated images of violence, love and consumerism from popular British TV programs and ads, Adams tells the story of how the mass media dictates the construction of personal narratives. Visuals, voiceover and on-screen words are juxtaposed in a tightly edited assemblage of off-air TV imagery, shrewd wordplay and visual puns. The source of the handwritten text that propels the spoken and image-driven narrative is revealed in an ironic twist at the tape's end. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledIn the 20th Century a new kind of vision was born, vision through machines. The lenses we insert in machines, and their peculiar way of seeing.
Virtual camera navigation was used to create narrative inside a computer model of a ghostly interior.
A dense and psychedelic mix of real stories and visual lies.
Remember Me is a dark, obsessive and emotive treatise on death. Its aim is to explore the intimate, personal and often secret relationships that people have with mortality and loss. The tape uses original and found footage to capture the complex web of emotions which surround death and to create a passionate journey through difficult private territories.
UntitledA "cut-up" adaptation of the key themes and situations in Naked Lunch. Filmed in the late 60's in Paris London and Tangiers. Burroughs as junkie - his long-standing metaphor for capitalist supply and demand - breaks into the hallucinatory world of Brian Gysin and his dream machines.
Untitled... 3 Mostra de Vídeo Independent de Barcelona 1996.