United Kingdom (Great Britain),
Any: 1994
UntitledUnited Kingdom (Great Britain),
Any: 1994
UntitledDemolitions, finds, losses.
3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledDenial shows a straight shot of Whitehurst continually coming towards and receding from the camera in a powered chair. She doesn't speak on screen but we hear a voice (her voice?) asking a series of questions but there is no reply.
UntitledA view of Las Vegas in the 1950s. Casinos and nuclear tests uncover the dark side of the American dream. 3 Mostra de Vídeo Independent de Barcelona 1996.
A "cut-up" adaptation of the key themes and situations in Naked Lunch, filmed in the late 60's in Paris London, and Tangiers. Burroughs as junkie - his long-standing metaphor for capitalist supply and demand - breaks into the hallucinatory world of Brian Gysin and his dream machines.
UntitledHow our lives become entangled in media, and media becomes part of our lives. 3 Mostra de Vídeo Independent de Barcelona 1996.
Fragmented childhood memories with striking images, to capture a feeling of awe and a sense of timelessness. The silence of the landscape is broken only by a voice, whose reminiscences conjure up the child's clear yet disturbing vision of the world. 3 Mostra de Vídeo Independent de Barcelona 1996.
... 3 Mostra de Vídeo Independent de Barcelona 1996.
A "cut-up" adaptation of the key themes and situations in Naked Lunch. Filmed in the late 60's in Paris London and Tangiers. Burroughs as junkie - his long-standing metaphor for capitalist supply and demand - breaks into the hallucinatory world of Brian Gysin and his dream machines.
Untitled