2 Mostra de Vídeo Independent de Barcelona 1994.
UntitledA "fundamentalist" documentary. Take That, Abba and Elvis Presley: on three video clips we see the sign of Scorpio Rising that corrupts the interior but leaves intact the surface.
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Cane CapoVolto is a group founded in 1992 in Catania, as a kind of "brotherhood" of three, plus a number of collaborators. Plagium is a project (The Adventures of an autonomous brain wave) based on logical combinations of recycled images, texts and sounds. We can not forget the repressive function of "art" in a society that desperately calls for creativity and abstraction to survive.
Untitled2 Mostra de Vídeo Independent de Barcelona 1994.
3 Mostra de Vídeo Independent de Barcelona 1996.
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El desig d'amplificar la mirada, d'allunyar, de distanciar cada vegada més la capacitat dels nostres ulls a través de diferents tecnologies (binoculars, microscopis, satèl·lits), amaga la voluntat d'acostar-se a les imatges de l'extrema distància, de l'extrem desapego: la mort. Mort en viu, el temps en viu de la imatge electrònica és l'extrema necroscòpia tecnològica regalada a la nostra mirada: la carn es desplega, el desig, la tensió es consumeixen i es descomponen, moment rere moment, "fotograma" a "fotograma". La glaciació temporal del cos de la imatge fotogràfica i cinematogràfica s'obre en el caos del vídeo provocant retorns impredictibles a la vida, una vida feta de llum i de moviment. Les mirades de les diverses guerres han aconseguit el seu camí des del canó del rifle fins als binoculars de la lent de les càmeres: apuntem els nostres ulls, mirem, desitgem, matem, veiem la mort (en viu). El vídeo va ser realitzat per a l'exposició:"Tazio Secchiaroli, the original paparazzo", galeria Photology, Milà.1996.
http://www.alessandroamaducci.net/
http://www.alessandroamaducci.net/
https://vimeopro.com/alessandroamaducci/found-footage/video/122185476
https://vimeopro.com/alessandroamaducci/found-footage/video/122185476
Video work "Stone/Irruption of Reality" is born from the encounter with women who are working ten and more hours per day as stone-breakers and rock-bearers over Buthan mountains' streets (North-East of India). Working women as ancient as the mountains from which they seem to break off; women whose faces convey a profound calmness, although their hands are slaughtered and their faces marked by strain. Video images are since the beginning strictly related with excited voices from New York's Stock Exchange, suggesting a deep connection between economic power and exploitation, between wealth and poverty in the world. This relation is underlined also by Master Alessandro Cipriani's sound concept, that processes stockbrokers' nervous voices into stones' noise, till it gets into a hammer's hard rhythm which beats time of these women's lives, hour after hour and day by day. Reality comes out in all its rawness and its grief.
