United Kingdom (Great Britain),

Any: 1994

Poetic-political inserts. Holzer uses the format and language of commercial advertising to interrupt the communication by kamikaze texts that are intended to stimulate thinking, raise your mood and a critical attitude among the passive audience. 3 Mostra de Vídeo Independent de Barcelona 1996.

Gibbons takes a morbid casting to the Barbie doll, full of dark intentions toward that unattainable ideal of beauty.

The voice of Catherine is recorded over manipulated images of women from soap operas. The two juxtaposed discourses, the voice of Catherine and the soap opera images, contradict and identify, confront and reach out, oppose and support each other. Feelings as primordial and sophisticated as life itself. 3 Mostra de Vídeo Independent de Barcelona 1996.

Post-natal obsessions.

  This whirling dance tape is a visual odyssey from Beirut to Berlin, a woman’s story set in the oppressive civil fragmentation of two divided cities where images of destruction and reconstruction are intermingled. A cutting edge poetic short, that maps out the roots of inner and outer landscapes. Biba Non Biba is a powerful visual and sonic plea for change that is inclusionary not exclusionary. ARGOS Centre for Art and Media / Biba non Biba  

Demolitions, finds, losses.