Vida Diaria

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            Vida Diaria

              66 Archival description results for Vida Diaria

              66 results directly related Exclude narrower terms
              REWEND
              ES ES-OVNI EXP-S004 · Series · 2022
              Part of Non-Identified Video Observatory (OVNI)

              Practical information

                         A presentation of Kurdish films by the Rojava Kurdistan Film Commune (Northern Syria)

              OVNI has collaborated with the Rojava Film Commune in a project aimed at researching, screening, and promoting their work in Spain, Italy, and France. A process of investigation through videos, texts, and meetings, in order to listen to their voices and understand their struggle together. We have created a website that you can visit link.

              Komîna fîlm a Rojava (Rojava Film Commune) is a collective of filmmakers founded in 2015, based in the autonomous Rojava region in the Federation of Northern and Eastern Syria. The Commune is actively working in the region to rebuild and reorganise filmmaking and film education infrastructures.

              The Rojava Film Commune was established to promote local film culture by organising film screenings, facilitating discussions on the role of film within society, producing new films, and setting up a Film Academy. Following the 1960 fire in Rojava’s only cinema in the city of Amude—which saw the death of 298 children trapped inside—the Commune aims to reclaim film as a central space for reimagining society, by democratising and revolutionising the imagination itself.

              The Commune has educated a new generation of Rojava filmmakers, organized screenings in cities and villages, and produced new films. It seeks to represent the values and ideals of the Rojava Revolution, but also to mediate and depict the daily struggles in the Syrian civil war and Rojava’s collective attempt to build a new society.

              The Rojava Film Academy provides education for aspiring filmmakers in Northern Syria. Founded in 2015, it offers one-year programmes, with courses on international film history, Kurdish film history, film theory, photography, cinematography, script writing, editing, and sound design, taught by local and international film professionals.

              The Academy is self-organized and non-hierarchical, encouraging students to participate in every aspect of its organization. Exchange networks have also been set up with other academic, media, and news platforms, and with civil society organizations, in order to engage in broad discussions and create screening possibilities. Considering the influx of foreign filmmakers and journalists to Rojava, it is important for the Commune to reclaim the representation and imagination of the revolution.

              After decades of oppression of Kurdish language and culture, the Rojava Film Academy aims to revitalize local film culture, reclaiming the power to narrate and imagine one’s dreams and realities. After the Syrian Civil War started, the predominantly Kurdish northern region declared the Autonomy Administration, creating structures based on grassroots democracy, women’s liberation, and cultural diversity.

              The Academy bases its methodology on ‘revolutionary realism’, i.e. a realism that does not merely reveal the current reality in a new way, but also restructures the reality of the possible . As well as finding forms to express things as-they-are, it creates the opportunity to imagine the not-yet-present, the ‘eternal becoming’ that is the revolution itself.

              https://rewend.desorg.org/

              https://rewend.desorg.org/

              Seaview
              ES ES-OVNI CTX-S014-SS001-0129 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              An hour north of Dublin, by the seaside, there is a bizarre-looking collection of grey cement buildings with brightly painted doors, and rusting fairground rides. This is Mosney - Ireland's Coney Island. A former Butlins holiday camp, Mosney was once a world fully equipped for entertainment, with arcades, fairground rides, holiday chalets. It was a place where Irish families would escape the daily grind of work in order to relax, to dance, enjoy themselves.

              Untitled
              Seffar
              ES ES-OVNI CTX-S010-SS007-0075 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              From the series Fez Ciudad Interior. Silences and wind in the olive trees, contemplation, labyrinths and dreams. Abdelfettah Seffar, a craftsman who lived in London for years and decided to return, talks about Fez, a veiled city, and reflects of the West and its conflicts.

              Untitled
              Siesta
              ES ES-OVNI CTX-S007-SS001-0012 · Item · 1997
              Part of Non-Identified Video Observatory (OVNI)

              "Siesta" is a counterpoint to "Un día Bravo", a passive look at the same object. They are two movements of the same composition, and their main theme - the melody - is the passing of time, decrepitude, and death. 6th Independent Vídeo & Interactive Phenomena Show

              ES ES-OVNI CTX-S010-SS002-0007 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              Soraida is a Palestinian woman who lives in Ramallah, in the occupied territories. This video captures her personal struggle to retain her humanity in the midst of oppression. In her neighbourhood, the women do not all wear veils, the men do not rattle off empty political slogans, and the young people do not have bombs strapped to their belts. Life goes on despite the curfews and checkpoints that confine the people in a barless cage. Soraida invites us into her world, and that of her family and neighbours. Through their simple, everyday actions, we discover the worst thing about living under a state of siege: the loss of control over one's own life. In this vibrant plea against the occupation, Soraida shares her reflections on life in Palestine and her refusal to give in to the hate and violence.

              Untitled
              Studio Bankside
              ES ES-OVNI CTX-S003-SS002-0022 · Item · 1970
              Part of Non-Identified Video Observatory (OVNI)

              Studio Bankside was Derek Jarman’s first film. It is a diary recording daily activity in the studio where he lived and worked, and in the surrounding streets. He shot his Super8 films without prior plans, but gave weight to the resulting images by radically slowing them down, sometimes to three frames a second, and adding music. 3 Mostra de Vídeo Independent de Barcelona 1996.

              Untitled
              Suicide
              ES ES-OVNI CTX-S010-SS007-0063 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              Suicide is a feature-length fiction of a woman's voyage through the malls, airports and train stations of Asia, Europe and Central America, chronicling her fiercely hopeful and desperate search for a reason to continue living.

              Non-Identified Video Observatory (OVNI)
              The Gas Man
              ES ES-OVNI CTX-S010-SS005-0012 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              Mohamed Ramzam is a Pakistani who has earned a living delivering gas bottles in the neighbourhood of "El Raval" since arriving in Barcelona in 1990. Despite working these last 12 years Mohamed doesn't receive a salary and lives from day to day on the tips he receives from the customers. He has managed to bring his wife and three children from Pakistan and they live in a warehouse situated in the heart of this working class area where the Muslim ideas and traditions of Pakistan are held dear.

              Untitled
              ES ES-OVNI CTX-S012-SS007-0075 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              Liana Badr's documentary locates itself at the checkpoints and Wall crossings within the Palestinian Occupied Territories. Here, the control of walls, gates, and roads is always political, and seemingly simple structures serve not as means of passage but more often as obstacles to the crops, families, schools, and livelihoods of those who must endure their presence.

              Non-Identified Video Observatory (OVNI)
              The Other City
              ES ES-OVNI DIF-S004 · Series · 2016
              Part of Non-Identified Video Observatory (OVNI)

              Nievell Zero - Fundació Suñol - Act 34

              Opening: Thursday 21st, July, 7:30 pm

              The works selected for Act 34 at Nivell Zero focus on analysing the concept of the city as a diverse, living, alternating phenomenon. Seen through this prism, the other city is an imagined, dreamed, stifled, revolutionised, abandoned place that eschews the neoliberal paradigm of the metropolis as a stage for doing business and disdains the identical, cloned theme-park cities found in so many places across the world.

              The six works featured in the show shine a torch into the dark corners of cities such as Barcelona, Cairo, Casablanca, Marseille, Naples and Beirut.

              Each video will be screened as a looped projection at Nivell Zero on a given day of the week. In parallel, visitors can also watch eight documentaries from OVNI Archives, on demand on two computers in the gallery.

              Calendar of screenings:

              Morning screenings: 11am-12am-1pm / Afternoon screenings: 4pm–5pm–6pm-7pm

              BARCELONA > Port Trade Portrait . David Batlle. 2014. Spain. OV in Catalan with English subtitles. 37’

              Morning screenings: 11am-12am-1pm / Afternoon screenings: 4pm–5pm–6pm-7pm

              CAIRO > Erhal [Leave] . Marc Almodóvar. 2011. Egypt/Spain. OV in Arabic with Spanish subtitles. 55′

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              CASABLANCA > Des Murs et des Hommes . Dalila Ennadre. 2013. Morocco/France. OV in Arabic with Spanish subtitles. 82′

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              MARSEILLE > La Raison du Plus Fort . Patric Jean. 2003. France. OV in French with Spanish subtitles. 83’

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              NAPLES > In Purgatorio . Giovanni Cioni. 2009. Italy. OV in Italian with Spanish subtitles. 69′

              Afternoon screenings: 4pm–5pm–6pm-7pm

              BEIRUT > Ça sera Beau. From Beyrouth with Love . Waël Noureddine. 2005. Lebanon/France. OV in French with Spanish subtitles. 30′

              https://www.fundaciosunol.org/en/exposicion/acte-34-la-ciutat-altra-arxius-ovni/

              https://www.fundaciosunol.org/en/exposicion/acte-34-la-ciutat-altra-arxius-ovni/