Vida Diaria

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        Vida Diaria

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          Vida Diaria

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            Vida Diaria

              66 Archival description results for Vida Diaria

              66 results directly related Exclude narrower terms
              Leche
              ES ES-OVNI CTX-S007-SS004-0011 · Item · 1998
              Part of Non-Identified Video Observatory (OVNI)

              This video captures the rhythm of its subjects, the daily life of a family in rural Mexico. A black and white film of extraordinary beauty, created with the most rudimentary tools. 6th Independent Vídeo & Interactive Phenomena Show

              Untitled
              La vida en armonia
              ES ES-OVNI CTX-S019-SS002-0005 · Item · 2018
              Part of Non-Identified Video Observatory (OVNI)

              A conversation with a woman who washes and massages the women who go to the hammam (public baths), helps bring the neighbourhood children into the world, and to wash the dead.

              ES ES-OVNI RSC-4263 · Item · 1992
              Part of Non-Identified Video Observatory (OVNI)

              IA is an exercise that explores the format of the interview – as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity. When the procedure is laid bare, the substance is transformed. It could also be described as a series of visions from a city undergoing a reverse metamorphosis, an encapsulation, we could say: Barcelona 1992. A series of interviews edited with the camera in 1992 and 1994, and subsequently compiled onto two DVDs. Through the manipulation of the ritual, the interview becomes a space in which processes of the construction of meaning are challenged. Meta-interviews, self-interviews, interviews with the medium, views.

              If Only I
              ES ES-OVNI CTX-S007-SS004-0010 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              What if ... Collen's life in his own voice has been miserable. Her father abused her, she was betrayed and deceived by her husband, separated from her children. Collen has survived feeling responsible for their decisions and dreaming of a safer and welcoming place. Everything points to a new, hot summer of crisis. Collen broken and entire, on camera. 6th Independent Vídeo & Interactive Phenomena Show

              ES ES-OVNI CTX-S009-SS002-0016 · Item · 2001
              Part of Non-Identified Video Observatory (OVNI)

              Hay mish Eishi, features portraits of 8 Palestinian women from different social and religious backgrounds exploring how they live war and imagine peace in the profound depth of lived realities and felt pains. These are not unusual women, women leaders or exceptional women in the news media sense. They are media and theatre professionals, farming women, a cleaning woman, a boutique owner, a university student, a high school teenage girl, and housewives. These are the ordinary lives which make up the news and which the news makes invisible. They speak with passion, bewilderment, anger, rage and outrage?.they situate themselves in a life of dignity and productivity, where their lives and actions are not reduced to a bundle of fear.They speak of profound losses - of self and direction, livelihood, land, homes and family members. What they say so powerfully and directly through their hopes and wishes is that they want a life of meaning, of sharing, of giving, of routines and rituals, of loving and caring, of ordinariness with all its blessings and grace.They do not want the degrading, terrorizing drama of war

              Untitled
              Gaza Strip
              ES ES-OVNI CTX-S010-SS004-0008 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              American documentary filmmaker James Longley travelled to the Gaza Strip in January of 2001, planning to stay for two weeks and collect preliminary material for a film about the Palestinian intifada. He threw away his return ticket and stayed for another 3 months, shooting over 75 hours of material throughout the Gaza Strip. GAZA STRIP follows a range of people and events following the election of Israeli Prime Minister Ariel Sharon, including the first major armed incursion into "Area A" by IDF forces during this intifada. The film is filmed almost entirely in a verite style, presented without narration and with little explanation, focusing on ordinary Palestinians rather than politicians and pundits.

              Untitled
              ES ES-OVNI RSC-1914 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002

              Untitled