Viaje Interior

Elements area

Taxonomy

Code

Scope note(s)

    Source note(s)

      Display note(s)

        Hierarchical terms

        Viaje Interior

          Equivalent terms

          Viaje Interior

            Associated terms

            Viaje Interior

              18 Archival description results for Viaje Interior

              18 results directly related Exclude narrower terms
              Sol de Medianoche
              ES ES-OVNI CTX-S020-SS003-0005 · Item · 2016
              Part of Non-Identified Video Observatory (OVNI)

              "In the universe, there are things that are known, and things that are unknown, and in between, there are doors..." [William Blake] An old pilgrim dressed in rags observes a flower in the dark of the night ... The old man is a door between the things that are known and unknown ... symbolizes the decline and the end of what we have taken for real, and now it is perceived as ephemeral and inconsistent, as the poverty of his clothes dragged by time. The proximity of death as an unavoidable truth gives his own vision; a new and deeper insight not limited to visual perception, and beyond logic and laws of the world. Maybe that's why in the dark of night can contemplate the beauty of a flower.

              Seffar
              ES ES-OVNI CTX-S010-SS007-0075 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              From the series Fez Ciudad Interior. Silences and wind in the olive trees, contemplation, labyrinths and dreams. Abdelfettah Seffar, a craftsman who lived in London for years and decided to return, talks about Fez, a veiled city, and reflects of the West and its conflicts.

              Untitled
              Perro Corazón
              ES ES-OVNI CTX-S010-SS007-0072 · Item · 1998
              Part of Non-Identified Video Observatory (OVNI)

              1998, Tangier. Conversations in the bar La Poste with Tangerian writer Mohammed Chukri and New York poet Ira Cohen, stories of death, separation and loss under the mantle of friendship.

              ES OVNI RSC-1312 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              Fez is one of the North African cities to have had most madrassas, of great architectural beauty. Madrassas, former Koran schools and now open for visits as public monuments, formerly provided one of the functions that raised Fez to the height of its splendour: the study of Islamic tradition and the body of laws and regulations governing social life. They were also the home of the students. Madrassas: Bu Inaniyya (1350), al-Attarin (1323), Seffarin (1280), al-Sahri (1321).

              ES OVNI RSC-1309 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              Fez is the Moroccan city with the liveliest tradition of artisans. Far from being "just a job", the activity of the artisan reflects a whole conception of the world and a way of experiencing time and giving it meaning. This native wisdom is passed down from parents to children, from the maalem, the master, to the apprentice.

              ES ES-OVNI RSC-4327 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              "A collaboration with writer Lucy Sante made in Tangier, Morocco, a city where neither of us had ever been. En route from the airport to the city center, we found ourselves amazed by the landscape outside of the car windows; a massive construction project under way in all directions. While not in itself unusual, we were by struck dumb by the epic scale and seemingly incomprehensible plan of the development and were drawn to return together to this puzzling zone".

              Untitled
              Last Night Dikr
              ES ES-OVNI CTX-S012-SS006-0013 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              The search for water, the descent deep into the well of the heart. Based on a 17th Century Persian poem by Najmudin Kubra. The most probable is that sooner or later we will meet in an apparently dry and arid wilderness. Unexpectedly our footsteps have left us there, all roads are possible, but none of them seem to lead anywhere. In our loneliness we find that contemplation is our only company, the quiet gaze shows us a quiet world, a world that slowly begins to show itself outside of the parameters of desire or functionality to be a world with no outside or inside. Now we understand better, that that which we see is no stranger to us and this journey takes on a diverse and interpretative sense. A small group of men appears in the distance, we go closer and follow them. One of them is a water diviner, he looks for water with an olive branch, his steps are quick, suddenly, as if receiving a blow he falters, and perhaps will fall, we fall... On a dry bush in the wilderness a few small flowers have bloomed, our steps now pass over a path of dust, stones, brambles and acacia, crossing gates, and whispers, murmurs, or laughter of children... Lying on the dirt, like the dirt, so that a well can open in our chest and consciousness can descend close to the heart, there we will see without words, with the sounds of heartbeat breathing, a reminder of the place we come from, of where we belong, from where appearance springs, like those clouds that form whimsical figures that linger only a moment... A search for what there is of life in us. The presence of that which makes us live. Video Serie: El Hamdulillah Tapes.

              La Caravanne de Mé Aïsha
              ES ES-OVNI CTX-S012-SS002-0007 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              The life story of an elderly Mauritanian woman, Aïcha Messaoud, who spent her whole life as part of Sheik Ma-el-Aïnïne's distinguished family of nomads and now lives in the small Moroccan village of Tata, in the northern part of Western Sahara. The filmmaker sets out to trace the memories of her heroine. Stage after stage, she travels through thousands of kilometres across the desert, encountering the descendants of the Sheik.

              Untitled