Between March and April 2020 almost all of humanity have been confined to their homes due to the coronavirus Covid-19 pandemic. This confinement, with its uncertain end, has revealed to many the incalculable value of a window. But, does everybody have one?
Viaje Interior
13 Archival description results for Viaje Interior
“Socotra, the island of djinns” is based on the book “Socotra, la isla de los genios” published by Atalanta ediciones. The film is the story of a trip on the remote island of Socotra in the Indian Ocean, known in antiquity for its Phoenix and Rukh birds. In the rest of the Indian Ocean, the monsoon winds, have propitiated commerce and civilisation. Without any bay or natural port and surrounded by reefs, Socotra is isolated during the monsoon when is imposible to land. This isolation has preserved a unique environment. Frankincense and myrrh trees grow freely on Socotra.The dragon blood tree unique to the island has sap that is a red as blood. It was used by the gladiators of Ancient Rome to cover their skin and to protect it from injuries. The varnish that gave a unique and precious touch to Stradivarius violins, is also credited to the sap of the tree, a secret kept by the luthiers of Cremona. On the journey are Ahmed Afrar, youngest son of the late sultan of Socotra, some companions and three cameleers with their animals. They trek to the mountains before the rainy season. En route to visit relatives, the socotrians speak tell stories by the fire. During the night, conversation turns to legends of djinns and monstrous snakes that dwell in the cavernous interior of the island. A surprising and vanishing world is revealed. Is the first and only movie spoken entirelly in the genuine socotrian language, A southern arabian language related to the old language of the Kingdom of Sheba.
UntitledJourneys and dreams in the mountains of Mexico's south east, the jungle and the city... Rituals, emotions and words for everyone!
This is the memory of a journey from the heart of an inhabited wilderness . People overwhelmed by the color of the clouds, holes in the sky to another site. An inappropriate vehicle for the place rolling toward the direction of the emotions unleashed: the experience minutes before the cyclone.
The markets of Fez, accessible from the main streets of the medina, are mostly situated very near the entrances to the city and reflect the vitality of an economic microsystem associated with the basic needs of the medina and its immediate rural surroundings.
Fez is one of the North African cities to have had most madrassas, of great architectural beauty. Madrassas, former Koran schools and now open for visits as public monuments, formerly provided one of the functions that raised Fez to the height of its splendour: the study of Islamic tradition and the body of laws and regulations governing social life. They were also the home of the students. Madrassas: Bu Inaniyya (1350), al-Attarin (1323), Seffarin (1280), al-Sahri (1321).
Los Sures is the name of a Puerto Rican neighborhood in Brooklyn, New York. Recorded in 1991 and published in 2008, this video is not so much a portrait of the neighborhood or a memory of it, but a journey of initiation through different interior landscapes that are reflected in the urban wilderness in the evocation of death and loneliness, but also in contemplation and celebration of life.
Fez is the Moroccan city with the liveliest tradition of artisans. Far from being "just a job", the activity of the artisan reflects a whole conception of the world and a way of experiencing time and giving it meaning. This native wisdom is passed down from parents to children, from the maalem, the master, to the apprentice.
Anonymous guide. Fes el Bali, the old medina of Fez founded in 809 by Idris II, is still completely contained within city walls. The gates (Bab Bou Jeloud, Bab Fteuh, Bab Er Rsif, Bab Guissa...) therefore retain all their social and symbolic value, associated with the different activities of the city and its inhabitants.
A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002
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