A journey through the Syrian landscape, featuring interviews with three dissidents who long ago left Syria for France. The filmmaker presents a poetic portrait of her friends, who have chosen to go into exile. Abdallah begins on a journey through the Syrian landscape and settles down near the sea, pondering over the impact of poetry on daily life. She records the almost forgotten life stories of Syrian dissidents, digging deeper and deeper into their world, the world of people who have chosen to live in a foreign country, where they have gone into internal exile.

A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002

The Song of the Hoopoe “Traveler who travels with no other baggage than imagination.”

The urban and social structure of neighbourhoods in the medina is one of vast intricacy and complexity, being organized around a series of vital establishments for the everyday life of their inhabitants, such as the hammam or public baths, the bakery, schools and the foundouk, or caravanserai. Communal bakeries provide the heating for the public baths or hammam, fully active establishments that are very important for the cohesion of the city's social fabric. Foundouks are establishments where visiting merchants traditionally stayed and stored their products overnight. Most have now lost their original function and are adapted for other uses, such as dwellings or workshops.

"Welcome to Tangier is like your home, happy, very happy and nothing else. Why not ?.... Go go and look for Charlie you will be in good hands you know what I mean in good ?....in good hands, he will help you around and .... do you understand my friend' "