The Ancla2 Photography Cooperative, with the Venezuelan filmmaker and documentarian Rafael Lacau, carry out photography workshops in rural areas of South America, especially with children who have never had contact with a camera. The experience documented here is that of the youngest inhabitants of Tuñame, a town in the Venezuelan Andes. In this production, the children express how they see their community, how they understand problems - especially environmental problems - and what they feel about their reality and the solutions to face it. This documentary is part of the series "Venezuela seen by its children", presented on public television in that country.

The Ancla2 Photography Cooperative, with the Venezuelan filmmaker and documentarian Rafael Lacau, carry out photography workshops in rural areas of South America, especially with children who have never had contact with a camera. The experience documented here is that of the youngest inhabitants of Tuñame, a town in the Venezuelan Andes. In this production, the children express how they see their community, how they understand problems - especially environmental problems - and what they feel about their reality and the solutions to face it. This documentary is part of the series "Venezuela seen by its children", presented on public television in that country.

From an agroecological and alternative perspective to capitalist globalization, "monte culebra" approaches the productive and organizational processes of peasant collective experiences in western Venezuela. A critical look at the agricultural development model that the Bolivarian government's agrarian policy promotes in rural cooperatives as a strategy to achieve food sovereignty. In addition, the evaluation of self-managed peasant experiences that practice agroecology -for more than 30 years- and participate in a network of food production and distribution through urban consumer fairs. "Monte Culebra" traces the history of Venezuelan rural displacement (common denominator in the world's peasant populations) and its resistance. In a context of corporate media dictatorship, community television emerged as a tool for the counter-hegemonic struggle, accompanying the experiences of rural life. Agroecological practices, inspired by ancestral methods and peasant rationality, insurge the agribusiness-educational paradigm and challenge the creativity of a government that tests new forms of territorial political action.