Infiltrating videoclubs.The Zulú and Clear and Present Danger trailers are part of Nascimento/Lovera's edits-inserts video project. By inserting their re-edited versions of commercial films in rental video chain stores, inter-city buses, public television and the black market, they are able to anonymously maximize the distribution of their work, while also questioning the symbolic mechanisms of power which are no longer located in traditional centers of cultural production, but spread throughout everywhere.

Mindanao, the easternmost island in the Philippine archipelago, is home to the majority of the country's Muslims, as well as indigenous Lumad tribes and Christian settlers. There is an ongoing Islamist armed guerrilla war on the the island, sparked by the history of discrimination and marginalisation of its inhabitants. Over the last forty years, this war has claimed more than 150,000 lives and displaced 750,000 people. But what is behind the conflict? What are the main parties involved' What is being done to achieve peace? It is time to listen to the Voices of Mindanao.

The Bolivarian Revolution of Venezuela as connected to the worldwide movement against capitalist globalization. The evolution of the popular movement in Venezuela from the "Caracazo" riots of 1989 to the massive actions that brought revolutionary president Hugo Chávez back to power, 48 hours after a U.S.-led military coup in 2002. The main theme is how the Bolivarian Revolution, thanks to its incredible grassroots and networking power, is a revolution that transcends the national frontiers of Venezuela and contributes with concrete alternatives to the fight against neoliberal capitalism.

To Exist is to Resist is the testimony of a fight that goes beyond the borders of the country where it takes place: the fight for a home. The film offers a reflection on private property from the perspective of those who have already taken over more than 160 buildings in the country of the Bolivarian Revolution. Throughout the film, we are taken into the heart of the “National Committee for the Homeless” by means of its main protagonists, dreamer-soldiers, “tomadores”, who take abandoned buildings in order to give them back to the people who built their ceilings and walls, and could only look at the locked door from the outside...

It's the eighties, “times of peace and class compromise”, and only a handful of young people resist the lethargy and protest, to the extent of paying with their lives for daring to believe in a fairer world. They are times of a social unrest that is strange and therefore incomprehensible to a large part of Venezuelans. Pégale Candela is a historical record of a country that awakens from the Saudi delusion and explodes violently in a process that has been identified as the genesis of contemporary Venezuelan times: the “Caracazo”, 27th of February 1989.