Item 3362 - universal tourist

Identity area

Reference code

ES OVNI RSC-3362

Title

universal tourist

Date(s)

  • 2010 (Accumulation)

Level of description

Item

Extent and medium

Video

Context area

Archival history

Immediate source of acquisition or transfer

Content and structure area

Scope and content

‘There is one moment, which unifies all travellers. It is the culmination of travel. It is the encounter with the global icons of travel. In a world of simulations we have seen all these icons long before travelling takes place: On television, in magazines, books and on the internet. In a constant search of the real we feel now, in the moment of encounter, the urgent need to reassure ourselves of the existence of these places and thereby of our own existence. Us, the travellers - in the position of the traveller. Us, as part of reality, as part of the world, as part of history. The moment captured for our return home when we write the stories of our lives: I was here, so I am. I travel, so I am.' ‘Universal tourist' is an experimental video, a documentary observation and a sociological and cultural study of a global phenomenon of mass consumer culture: it interrogates tourist photographic practices - the holiday snapshot. The video observes tourists while they act as tourists. It takes pictures of people taking pictures. It records them while they record themselves. The photographic pose of the traveller - a frozen moment to store and save memories of a staged version of how one likes to see and remember oneself is explored as a moving image. What happens before and after the snapshot? The ‘decisive moment' of photography extends and reveals more about photographic ‘truth', ‘real', staged and authentic moments. The amateur ‘accidental aesthetic' of the snapshot – immediate and raw glimpses of time – is captured on video and edited in a dramatic structure that accelerates to a furious paced trip around the globe. At each given moment of time there are hundreds and thousands of travellers from all over the world performing the same ritual over and over again. when we take pictures, we appropriate the power of the semiotic landscape by placing ourselves in the center of the resonating image, either figuratively by "taking" the picture ourselves and placing it in our personal contexts, or literally by placing ourselves or our family and friends in front of the scene that is now literally made to function simultaneously as a background for experience, location of experience, and proof of our experience of the signs of "there-ness" of the site.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Conditions of access and use area

Conditions governing access

Press: No; Catalogue: No; Itinerancies: No; Online archive: No; Television: No

Conditions governing reproduction

Language of material

    Script of material

      Language and script notes

      Physical characteristics and technical requirements

      Països: Germany

      Finding aids

      Allied materials area

      Existence and location of originals

      Existence and location of copies

      Related units of description

      Related descriptions

      Notes area

      Note

      Master sin especificar falta sinopsis en catalan falta sinopsis en castellano tema turisme

      Alternative identifier(s)

      Slug

      universal-tourist

      Access points

      Subject access points

      Place access points

      Name access points

      Genre access points

      Description control area

      Description identifier

      ES_OVNI_2010_bolchr001-universal-tourist

      Institution identifier

      OVNI

      Rules and/or conventions used

      Status

      Level of detail

      Dates of creation revision deletion

      Language(s)

      • Catalan

      Script(s)

      • Latin

      Sources

      Accession area