Una dona es proposa fotografiar moments d'intimitat. En un lloc de cites d'Internet, escriu: 'Estic buscant persones a les quals els agradaria ser fotografiades en públic i revelar alguna cosa de si mateixes ..." What I'm Looking For documenta aquesta aventura; les connexions formades en aquesta intersecció entre l'espai públic virtual i el real. El vídeo és una reflexió sobre la naturalesa de la fotografia i la persistència de la visió. Una breu història de desig i control.

Millner casts herself as a fan whose life has an uncanny similarity to that of Roseanne Barr's televised replica. When Millner visits the set of Roseanne, the "excess" of fan and star meets in a comic finale that threatens life as we know it.

Lonely housewife in 1950's suburbia needs the freedom of a low priced Ford to avoid being a prisoner in her own home. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)

The title Time Like Zeros is taken from a comment by one of eight female prisoners who narrate the film, as she contemplates the life sentence stretching ahead of her. It is echoed visually in the camera movement that encircles the prison, and in the circles of razor wire that whiz by as the scene moves from the exterior fence to the darkest cells of the prison. A sense of community and compassion can be sensed in the women's voices, yet contrasts with the footage shot by guards as they chain down a woman in the segregation unit.

Remarkable, surreal industrial film promoting "Atarax," a tranquilizer, and asserting how "ataraxic medicines" can help us all to achieve the relaxed state we long for. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)