Early attempts at critical observation of television were conditioned by the development of the first recording technology. This is the context of this historic Nam June Paik piece, a document about the feedback relationship between video and television, and the ability of television to filter and pixilate information. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledUnited States of America
39 Archival description results for United States of America
Video version of an interactive work caricaturing the idea of freedom of choice. The context is a series of test questions, but the answers are predetermined and in this case lead us to destruction by accumulation, exploitation, ... 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled3 Mostra de Vídeo Independent de Barcelona 1996.
The American paranoia, collective fears and media justification through a hallucinatory conspiracy in which Fidel Castro, the satanic forces and the aliens threaten America. 3 Mostra de Vídeo Independent de Barcelona 1996.
... 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledBecause subliminal inculturation is not always consciously recognized, Tanaka strives for her work to incorporate a primary visceral effect with an analytical statement reflecting the multiplicity of a particular experience and observation. Accordingly, in Beaver Valley more personal black and white footage contrasts sharply with slick media images of Marilyn Monroe and designer jeans; the myth of woman is returned for a refund. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledA video in three parts, reversed soundtracks and classic sequences of Hitchcock films. 3 Mostra de Vídeo Independent de Barcelona 1996.
This video of DeeDee Halleck is a look at the american media representation of Latin America. Since the early twentieth century in the U.S., media have promoted stereotypes of Latin America to justify the concept of dominance and leadership throughout the hemisphere. 3 Mostra de Vídeo Independent de Barcelona 1996.
3 Mostra de Vídeo Independent de Barcelona 1996.
Once the technology had created the first standards for recording, the video reached a level of ease of operation that allowed him develop as a reflective mechanism for the return of altered media icons, the contrast between the object and projecting simulated sinister and dark original. Exploring the development, Dara Birnbaum performed in the late seventies a classical piece, Technology Transformation: Wonder Woman, an intensive review of the role of women in television at the time, from the use of part of the series Wonder Woman television. 3 Mostra de Vídeo Independent de Barcelona 1996.