Yodeling bagpipe bicycling booty: Xtra Tuf zine writer Moe Bowstern bombs Mississippi Avenue Hill in Portland. NO HANDS! NO BRAKES! NO CLOTHES!.

Various permutations and combinations of Abraham Zapruder's 8mm home movie footage of the assassination of JFK. My work is intended as an investigation of the footage as a visual, experiential, and cultural document. In the United States this footage is both notorious and invisible; seldom actually seen, it is very well known; when seen, it remains opaque. This work is intended to add a level of "transparency" to the original. It is set to Jajouka music in order to bring to the foreground the ritual aspects of this visual, mechanical, and media historical event. 6th Independent Vídeo & Interactive Phenomena Show

It is an erotic response on the Helms Law, the American government's refusal to subsidize the prevention and awareness on AIDS. Kalin writes: "They are lost to vision altogether acts as erotic retaliation on legislation such as the Supreme Court sodomy ruling — declaring the private bedroom as open target for the State — or the Helms Amendment — the U.S government's refusal to fund explicit AIDS prevention information for gay men, lesbians and IV drug users. An attempt to reclaim eroticism and to address the contradictions of sexuality and romance in the face of a monolithic and culturally compulsory heterosexuality, They are lost to vision altogether finds queer history where it can and invents the rest." 2 Mostra de Vídeo Independent de Barcelona 1994.

Third Known Nest brings together Kalin's witty and poignant "video diary" pieces with new interstitial material that thematically links the works with cogent literary quotes. Merging elements of music video, text, and intimate Super 8 "home movies," Kalin has created a personal and cultural chronicle of the 1990s. Tracing a trajectory that moves from stylized AIDS activist spots to alternative music videos and poems of love and loss, Kalin' video journal culminates in a performative self-portrait.

Is water part of a shared “commons,” a human right for all people? Or is it a commodity to be bought, sold, and traded in a global marketplace? “Thirst” tells the stories of communities in Bolivia, India, and the United States that are asking these fundamental questions.

During the protests against the WTO in Seattle, we had a collective vision. We saw people from many different cultures and ideologies, united with a strength and an energy that has not been seen for decades in this country.