New ideas for exploiting Mexican labourers.
United States of America
746 Archival description results for United States of America
Anthem is a post-industrial lamentation, structured on the single piercing scream of a young girl as she stands in the vast chamber of Union Station in Los Angeles. Viola relates this structure to the form and function of religious chants, particularly Gregorian chants (using a harmonic scale in a resonant hall) and Tantric Buddhist chants (ritual exorcism and conversation with demons). The original scream is extended in time and shifted in frequency to produce a scale of harmonic notes that comprises the soundtrack, to which Viola juxtaposes images of materialism -- industry and the worship of the body, giant oil pumps and the beating human heart, cars streaming along a freeway and blood flowing through veins, modern surgical technology and tree branches in an ancient forest. The anguished scream cuts through the corporeality of the body and contemporary culture as a living organism. For Viola, the piece is a ritual evocation of "our deepest primal fears, darkness, and the separation of body and spirit."
Untitled"I live "La Vie en Rose" and i want you to live it as well. I love you."
This four-volume set features a collection of documentary films, cartoons and early silent-era films that provide examples of some of the extreme stereotypes of the Arab world that were common in western media and entertainment during the first half of the twentieth century. Part 1:Tom & Jerry .gypped in Egypt, 44'. Part 2: Hal Roach: Grief In Baghdad, 47'. Part 3: George Melies: Palace of the Arabian Nights, 58'. Part 4: Outposts of the Foreign Legion, 51'
This four-volume set features a collection of documentary films, cartoons and early silent-era films that provide examples of some of the extreme stereotypes of the Arab world that were common in western media and entertainment during the first half of the twentieth century. Part 1:Tom & Jerry .gypped in Egypt, 44'. Part 2: Hal Roach: Grief In Baghdad, 47'. Part 3: George Melies: Palace of the Arabian Nights, 58' . Part 4: Outposts of the Foreign Legion, 51'
This four-volume set features a collection of documentary films, cartoons and early silent-era films that provide examples of some of the extreme stereotypes of the Arab world that were common in western media and entertainment during the first half of the twentieth century. Part 1:Tom & Jerry .gypped in Egypt, 44'. Part 2: Hal Roach: Grief In Baghdad, 47'. Part 3: George Melies: Palace of the Arabian Nights, 58'. Part 4: Outposts of the Foreign Legion, 51'
This four-volume set features a collection of documentary films, cartoons and early silent-era films that provide examples of some of the extreme stereotypes of the Arab world that were common in western media and entertainment during the first half of the twentieth century. Part 1:Tom & Jerry .gypped in Egypt, 44'. Part 2: Hal Roach: Grief In Baghdad, 47'. Part 3: George Melies: Palace of the Arabian Nights, 58'. Part 4: Outposts of the Foreign Legion, 51'.
Programa capturado en Nueva York. Breakthrough es el Ministerio Mediático de Rod Parsley/ Lider entre los creyentes de las clases medias de la América más hostil
One of the best examples of post-World War II social guidance films, with examples of "good" and "bad" girls, courtesy to parents, and an analysis of what makes some people popular and others not. A scream and a sobering document of postwar conformity. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)