United States of America

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        United States of America

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            United States of America

              746 Archival description results for United States of America

              746 results directly related Exclude narrower terms
              ES ES-OVNI CTX-S003-SS005-0014 · Item · 1978
              Part of Non-Identified Video Observatory (OVNI)

              Once the technology had created the first standards for recording, the video reached a level of ease of operation that allowed him develop as a reflective mechanism for the return of altered media icons, the contrast between the object and projecting simulated sinister and dark original. Exploring the development, Dara Birnbaum performed in the late seventies a classical piece, Technology Transformation: Wonder Woman, an intensive review of the role of women in television at the time, from the use of part of the series Wonder Woman television. 3 Mostra de Vídeo Independent de Barcelona 1996.

              ES ES-OVNI RSC-842 · Item · 1996
              Part of Non-Identified Video Observatory (OVNI)

              Six films that explore the not precisely golden years of late '50s and early '60s. In "Gang Boy" bands White and Chicago of working-class neighborhoods of L.A. agree to a truce, in "The Dropout", Robert's life is falling apart, working and serving clerk of those who once were his companions, and the "Terrible Truth" which tells the horrible truth, good and cute girls also get hooked to the "horse".

              Thanksgiving Prayer
              ES ES-OVNI CTX-S005-SS004-0005 · Item · 1990
              Part of Non-Identified Video Observatory (OVNI)

              William Burroughs giving thanks for the goods that will be consumed on Thanksgiving day:  "Thank you for conspiracies and hypocrisies, thank you for a world where it is forbidden to talk, thank you for the turkey destined to be digested by American stomachs, thank you for a blessed nation".

              Untitled
              The American Egypt
              ES ES-OVNI RSC-1126 · Item · 2001
              Part of Non-Identified Video Observatory (OVNI)

              "The American Egypt" revisits the first socialist government of the Americas, the Mexican Revolution on the Yucatan peninsula, 1915-24. Within the study of Mexico's past, the Yucatan merits consideration as a thing apart. Attempts to secede in the 19th Century suggest Yucatan was, like Texas and California, only imperfectly attached to the Estados Unidos Mexicanos. Until the middle of the 20th Century, neither highway nor railroad joined the peninsula to the rest of the nation, and ties were closer with the United States and the Caribbean. Totalitarian rule and the monocrop agriculture turned Mexico's poorest backward into its richest. "The American Egypt" revisits the Revolution that arrived late, but which ultimately took on a much more radical form, one resembling the early days of the Soviet Union. With the governorship of Salvador Alvarado, the Yucatan also hosted Mexico's first feminist congress (1916). At a time when women in other parts of Mexico could not yet vote, the Yucatan elected women representatives and advanced a radical feminist agenda. It was also in the Yucatan that Carlos Martínez directed the country's first feature-length fiction film. That film no longer exists (Mérida's hot and humid climate does not loan itself to archival preservation) a reconstruction is incorporated into "The American Egypt" as a film within the film. Mixing found footage, reenactments, landscapes and host of vivid primary sources, "The American Egypt" explores incidents in the early history of globalization through the connections that link social revolution, silent cinema and the suffragette movement.

              ES ES-OVNI CTX-S013-SS007-0054 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              Between 1970 and 1972 the Angry Brigade used guns and bombs in a series of symbolic attacks against property. A series of communiques accompanied the actions, explaining the choice of targets and the Angry Brigade philosophy: autonomous organization and attacks on property alongside other forms of militant working class action. Targets included the embassies of repressive regimes, police stations and army barracks, boutiques and factories, government departments and the homes of Cabinet ministers, the Attorney General and the Commissioner of the Metropolitan Police.

              Untitled
              The Architecture of Mud
              ES ES-OVNI RSC-1325 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              The Hadhramaut region in the south east of Yemen is well known for its mud brick architecture. Throughout the centuries, the population has developed very sophisticated building techniques and created a unique architectural environment. Spectacular structures such as ten-story mud brick tower houses rise up from the valley's floor. In interviews throughout the documentary, the masons describe their working techniques and the challenges they face with the introduction of new, imported building materials. The Architecture of Mud documents the vernacular architecture, the building craft and the society they belong to.

              Untitled
              The art of Free Cooperation
              ES ES-OVNI RSC-2879 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              The Art of Free Cooperation is a book and a feature-length film collage, narrated by Tony Conrad, illustrating the principles of Free Cooperation through the visual language of science fiction movies, additional texts, interviews and highlights from the international “Free Cooperation” conference, organized by the editors.

              Untitled
              ES ES-OVNI CTX-S006-SS007-0002 · Item · 1996
              Part of Non-Identified Video Observatory (OVNI)

              An attempt to problematize ownership and authorship in the age of digital reproduction. Inspired by the Walter Benjamin essay of the same name and the activities of the Situationist. If it could be authenticated that it were produced in 1936, this would make it the oldest known digital video work.