Some digital entertainment icons and references.
United States of America
746 Archival description results for United States of America
A surrealist meditation in which the religion of ancient Pharaonic Egypt and the Cinema coincide in their ardent, almost mystical desire to preserve life beyond the grave. 6th Independent Vídeo & Interactive Phenomena Show
In this film, made two weeks prior to his death from AIDS, San Francisco performer Rodney Price sings and tap dances a darkly humorous song about his own death, "I've Got Less Time Than You."
The controversy surrounding copyright and the use of samples in the music industry during the 80s. With the participation of Negativland and EBN Emergency Broadcast Network.
A sustained attempt to film a four-day ceremony concerned with the worship of Shiva. We are shown devotees of the God Shiva from the initial taking of the Sacred Thread through gradually intensifying action to the culmination in a variety of ascetic and self-denying practices. Devotees are also shown engaging in informal activities such as preparing food and listening to recitals of devotional songs by the famous mendicant Bauls of Bengal.
UntitledSorrow depicts the voices of opposition to the war in Iraq and the endless sorrow of a woman who experiences the consequences of the war which, in spite of the opposing voices, has happened.
Year 2007, in a crater caused by an explosion nuclear in the outskirts of Las Vegas, a telepathic woman and her father, a technological delinquent organize..."Dear earthlings...". S.O.S is an activist science fiction collage about the Autonomous Resistance against globalization and the "New Electromagnetic Order". 6th Independent Vídeo & Interactive Phenomena Show
From the outside of the Guggenheim Museum, through glass walls, a home video camera records the social activity provoked by an Antonio Tàpies exhibition. An unsettling camera movement gives us these images, accompanied by the soundtrack of "The Critters". 3rd Mostra de Vídeo Independent de Barcelona 1996.
UntitledYear 1992, the US presidential elections seen through the pirated satellite images of media corporations. Brian Springer reveals the wings of the media stage, contrasting footage from two different sources: the official media images beamed out to homes all around the world, and images meant for internal use by mass media multinationals. Images of collaborators, spin doctors, politicians and media agents preparing strategies to defeat the enemy in the arena of the television spectacle.
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