Hot Pro-Classic Rodeo action. This video unzips the latent homoerotic potential underlying the macho cowboy posturing at the Pendleton Oregon Round-up.
United States of America
746 Archival description results for United States of America
I could not remember anything about my childhood. I made a decision to remember. West Fingerboard Road relays how I remembered my forgotten childhood memories, and references the writings of philosopher Gilles Deleuze that echo my ideas on memory and the process of remembering. This is a four-minute animation with sound. "It is true that every work or art is a monument, but here the monument is not something commemorating a past; it is a bloc of presentations that owe their presentation only to themselves and that provide the event with the compound that celebrates it. The monument's action is not memory but fabulation. We write not with childhood memories but through blocs of childhood that are the becoming-child of the present..." What is Philosophy, Gilles Deleuze and Felix Guattari This monument West Fingerboard Road does not commemorate my childhood years. It is a bloc of images that refer only to themselves, and that combine several parts of my childhood to be celebrated. West Fingerboard Road's action is not memory. I drew not with childhood memories but through a set of fabrications. I had forgotten my memories for so long, that once I decided to remember, there was no way for me to really decide what was real or not. Fabulations they definitely are. So I drew not with childhood memories, but through my imagined blocks of childhood. What I have now in West Fingerboard Road is a becoming-child of the present. Specifically, this piece has become my own inner five year old as I can have and remember her now. West Fingerboard Road has been made with support from The Netherlands Foundation for Visual Arts, Design and Architecture (known in the Netherlands as Fonds BKVB.)
Documentary on the conservative underpinnings of Mayor Rudy Giuliani's "quality of life " campaign in New York City, and the role of conservative think tanks in the formulation of public policy in the United States. The tape focuses on the influence of the Manhattan Institute on New York during the 1990's, and the response of citizens to the corporate-friendly policies of the Giuliani administration.
An extraordinary film about social networks and privacy on the Internet. Directed by Ondi Timoner, the documentary explores Josh Harris and his company Pseudo's experiences in the New York of the end of the millennium and the dot.com companies.
UntitledEarly driving safety film showing good and bad sides of a driver's mind. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain).
A fast-paced 64 minute documentary that covers the world's power politics, war, corporations, deception and exploitation. It illustrates the words of Arundhati Roy, specifically her famous “Come September speech”, in which she spoke on such things as the war on terror, corporate globalization, justice and the growing civil unrest. It's a witty, moving and alarming lesson in modern history.
UntitledIn 1994, independent filmmaker David Blair created the first 3D online interactive film experiment: Waxweb.The hypermedia version of his digital film Wax or the Discovery of Television among the Bees. In Waxweb, images, sounds and text combine to form a non-linear story in which users can change the script by adding their own contributions that affect the course of the action.
UntitledA music video for the song "California" by WAX, directed by Spike Jonze on February 8, 1995.
UntitledGinette Schenk lives on the margins of New York City's East Village. Her beloved dog Schatzy seems to be all that she has in life. “Water in the Boat” presents a collection of moments from their daily walk to the park. Days move slowly, autumn turns winter, as Ginette struggles to smile and keep herself together
War Made Easy reaches into the Orwellian memory hole to expose a 50-year pattern of government deception and media spin that has dragged the United States into one war after another. The film exhumes remarkable archival footage of official distortion and exaggeration from LBJ to George W. Bush, revealing in stunning detail how the American news media have uncritically disseminated the pro-war messages of successive presidential administrations.
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