Meshes of the Afternoon is one of the most influential works in American experimental cinema. A non-narrative work, it has been identified as a key example of the "trance film," in which a protagonist appears in a dreamlike state, and where the camera conveys his or her subjective focus. The central figure in Meshes of the Afternoon, played by Deren, is attuned to her unconscious mind and caught in a web of dream events that spill over into reality. Symbolic objects, such as a key and a knife, recur throughout the film; events are open-ended and interrupted. Deren explained that she wanted "to put on film the feeling which a human being experiences about an incident, rather than to record the incident accurately." MoMA The Collection

Conducted between 1936 and 1962, here are seven films on the safety warning about the dangers of rushing, being reckless or careless. Classics of this genre, including "Time Out for Trouble" (which contains a malicious clock), "More Dangerous Than Dynamite" (dry cleaning at home, more dangerous than dynamite) and "Safety Belt for Susie (Susie is a doll, that without a seat belt ...)

2 Mostra de Vídeo Independent de Barcelona 1994.

Maybe Logic "is" a hilarious and mind-bending journey into the multi-dimensional life of Robert Anton Wilson, author of the Illuminatus! Trilogy. Featuring the best of 100 hours of footage recorded over twenty-five years, thoroughly tweaked, transmuted and regenerated, Maybe Logic follows the ever-open eye of Pope Bob as he penetrates human illusions exposing the mathematical probabilities and spooky synchronicities of the eight dimensions of his Universe. The feature-length documentary features Tom Robbins, RU Sirius, Ivan Stang, Paul Krassner, Valerie Corral and Douglas Rushkoff.

Humorous "sketches" of human interest stories by Max Fleischer, who headed Handy's animation department in the mid 1940s and 1950s. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)

Anonymous in the net...a precise Mastercard parody.