Tells the story of Jeanne, a popular pretty girl until speed and an accident ruin her life. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)
UntitledUnited States of America
746 Archival description results for United States of America
2 Mostra de Vídeo Independent de Barcelona 1994.
www.goarmy.com is a web site designed for the American army by Southern California University ICT. Technology and propaganda supported by a combination of corporations, university research departments and the army's futuristic projections (Future Combat Systems). In this section, through the filter of propaganda, we see future recruits and the process of immersion in army culture. A catalogue of psycho-emotional jabs to create the ideal soldier
UntitledShe was born in the gutters, and you better stay out of her way...
Film showing a domestic robot freeing housewives of their chores (and intimating that their work is hardly necessary); actually a promo showing how relays and switches function in the modern automobile. Shown at the New York World's Fair in 1940. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)
This video captures the rhythm of its subjects, the daily life of a family in rural Mexico. A black and white film of extraordinary beauty, created with the most rudimentary tools. 6th Independent Vídeo & Interactive Phenomena Show
UntitledA small political-poetic scene
How architecture, furniture and transportation have been designed to help Americans relax. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)
Every day, across all corners of the globe, hundreds of thousands of users log onto Second Life, a virtual online world not entirely unlike our own. They enter a new reality, whose inhabitants assume alternate personas in the form of avatars—digital alter egos that can be sculpted and manipulated to their heart's desire, representing reality, fantasy, or a healthy mix of both. Within this alternate landscape, escapism abounds, relationships are formed, and a real-world economy thrives, effectively blurring the lines between reality and "virtual" reality. Director Jason Spingarn-Koff digs deeply into the core of basic human interaction by assuming his own avatar and immersing himself in the worlds of Second Life residents, whose real lives have been drastically transformed by the new lives they lead in cyberspace. In doing so, he manages to create an intimate, character-based drama that forces us to question not only who we are, but who we long to be.
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