United States of America

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        United States of America

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          United States of America

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            United States of America

              746 Archival description results for United States of America

              746 results directly related Exclude narrower terms
              ES ES-OVNI CTX-S013-SS007-0133 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              Katrina was called the worst natural disaster in America in 100 years... but the hundreds who died here were not killed by the storm - they were left for days to drown as flood waters rose around them. And today, the storm isn't what's keeping most of the city's former residents from returning home. A richer, whiter New Orleans is being built in which the city's poor and black majority have no place. While the city moves ahead with its plans to destroy public housing, scattered former residents fight a desperate battle for their right to return home.

              New Muslim Cool
              ES ES-OVNI CTX-S013-SS007-0083 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              Puerto Rican American rapper Hamza Pérez ended his life as a drug dealer 12 years ago, and started down a new path as a young Muslim. Now he's moved to Pittsburgh's tough North Side to start a new religious community, rebuild his shattered family, and take his message of faith to other young people through his uncompromising music as part of the hip-hop duo M-Team. But when the FBI raids his mosque, Hamza must confront the realities of the post-9/11 world, and challenge himself.

              Natives
              ES ES-OVNI CTX-S011-SS004-0014 · Item · 1991
              Part of Non-Identified Video Observatory (OVNI)

              The U.S.-Mexican Border is the site of a disturbing increase in violence and racial intolerance. Along the border there are now a number of autochthonous groups that have organized with the stated purpose of ending undocumented immigration. “Natives” follows the individuals involved in San Diego's anti-immigration movement. Relying principally on a direct cinema style and an eye for the absurd, the film critiques the autochthonous position by contrasting their professed love of country with their racist and anti-democratic attitudes. Though the US has long maintained a reputation as a haven for immigrants, there is nonetheless a strong tradition of xenophobia. In the decade of the 1990s, there was a new surge of anti-immigrant sentiment. This film examines the autochthonous discourse along the US-Mexico border, a place that brings issues of nationalism and intolerance into sharp focus.

              Untitled
              Nation
              ES OVNI RSC-925 · Item · 1992
              Part of Non-Identified Video Observatory (OVNI)

              Spot made by this former member of Grand Fury. This highly stylized and deftly edited provocation features a cast of performers, diverse in national origin, who recite a litany of statements meant to challenge viewers' secure notions of national identity. Kalin asserts that bodies are very real battlegrounds, territories that are contested and controlled by the same political forces that determine borders or set national policies. Nation was created as part of "TRANS-VOICES", an international multi-media public art project that was conceived to reflect a broad spectrum of cultural diversity — national, racial, and ethnic — that characterizes both France and America today. Created by seven American and seven French artists, the video spots operate as trans-cultural investigations, questioning the validity of national identity, exploring the origins of cultural ideology, and charging the ethics of government entities. The spots communicate messages about the fundamental social, political, economic and ecological shifts that mark the close of the 20th century.

              Untitled
              Narcotics: Pit of Despair
              ES ES-OVNI CTX-S009-SS002-0006 · Item · 1967
              Part of Non-Identified Video Observatory (OVNI)

              After WWII, Americans teenagers discovered leisure . They no longer had to work to support their families, and they had almost nothing to do. It seems like a cliche now, but bored teenagers were a completely new phenomenon, young minds eager to explore the limits of perception and pleasurable experience. A wave of corporate and government educational videos, responded to the situation by presenting a world of fears and hidden dangers. They were designing the personalities of the future, standardized citizens, with a new set of behaviors and new fears and taboos.

              ES ES-OVNI CTX-S013-SS007-0065 · Item · 1996
              Part of Non-Identified Video Observatory (OVNI)

              “The material of myth is the material of our life, the material of our body, and the material of our environment. A living, vital mythology deals with these”. During the final years of his life, Joseph Campbell embarked on a lecture tour in which he drew together all that he had learned about what he called the “one great story” of humanity. These remarkable talks were filmed and are presented here in the order and manner in which Campbell himself intended: 1. Psyche and Symbol: the psychological impulse for and response to myth; 2. The Spirit Land: how myths awakened American Indians to the mystery of life; 3. On Being Human: the emergence of myth in early hunter-gatherer societies; 4. From Goddess to God: the gradual shift from the Goddess to male, warlike deities; 5. The Mystical Life: non-biblical mythic strains that helped shape the Western spirit.

              Untitled
              ES ES-OVNI CTX-S013-SS007-0115 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              “My spiritual journey had taken me from the land of Ahuramazda to the realm of Allah. I came to believe there is only one God, the God of light, goodness and joy. A God who abides not on the mountains or in the oceans, nor the cities or the sanctuaries, but in the human souls who worship there”. Aryana Farshad.