Huey P. Newton was a co-founder of the Black Panther Party for Self-Defense, an organization FBI Director J. Edgar Hoover once called “the greatest internal threat to the security of the United States”. He spent four years in prison for the voluntary manslaughter of an Oakland police officer before his conviction was overturned in 1971. This powerful documentary features an exclusive interview with Newton during his incarceration, wherein Newton discusses his goals as a revolutionary, including self-determination for African-Americans, full employment, decent housing for the poor and disenfranchised, an end to police brutality and an end to the Vietnam War.

Narrated by Dr. Stephen Wolinsky, this two and a half hour documentary contains not only the teachings of Sri Nisargadatta Maharaj but also “experiential meditations” to lead the viewer into That One substance from which all phenomena arise. These teaching convey Maharaj's basic premise: “All you can teach is understanding, the rest comes on its own”. Divided into twelve themes: The I am, The Body, Consciousness, The Nothingness, Realization, Spirituality and Spiritual Paths, The Guru, The Void, Birth and Death, Cause and Effect, That One Substance and The Illusion.

Taken almost verbatim from a newspaper, The Arizona Daily Star, the video recounts the story of Ramona Barrrara, a New Mexico woman who saw the face of Jesus in a tortilla when she was rolling her husband's burrito. In an attempt to manipulate the media to her advantage in publicizing this miraculous event, the media ultimately exploited the most important event of this woman's life for its sensational value. 3 Mostra de Vídeo Independent de Barcelona 1996.

"'I am nice. I... am nice. I am... nice," repeats the narrator, in this personal and highly poetic exploration of the construction of self. Mirra favors repetition as the device for reconstructing the stage of development when a child learns its name. Like a bedtime story, the narrator unfolds the tale of a child who identifies herself as a bear. The story becomes increasingly complex as it moves from one voice to two, in which bear and child gradually become distinct entities and the haiku poetry of the child’s identification, 'I, Bear,' is ultimately forsaken for the name Helen. I, Bear is filled with longing for a moment when, as undifferentiated child subjects, we could have identified ourselves as anything, including the most misunderstood of animals." Hamza Walker, VDB