United Kingdom (Great Britain)

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            United Kingdom (Great Britain)

              6 Archival description results for United Kingdom (Great Britain)

              6 results directly related Exclude narrower terms
              Video Void Text
              ES ES-OVNI CTX-S005-SS002-0011 · Item · 1993
              Part of Non-Identified Video Observatory (OVNI)

              A semantic and numerical collapse, analogue-digital flow led by the voice of David Larcher. Video Void text is a mystic journey through analogue-digital noise. 3D, multicoloured butterflies navigate through seas of stormy text.

              Untitled
              Slow Action
              ES ES-OVNI CTX-S015-SS007-0002 · Item · 2012
              Part of Non-Identified Video Observatory (OVNI)

              Slow Action is a post-apocalyptic science fiction film that brings together a series of four 16mm works that lie somewhere between documentary, ethnographic study and fiction.Continuing his exploration of curious and extraordinary environments, Slow Action applies the idea of island biogeography - the study of how species and eco-systems evolve differently when isolated and surrounded by unsuitable habitat - to a conception of the Earth in a few hundred years; the sea level rising to absurd heights, creating hyperbolic utopias that appear as possible future mini-societies. Slow Action is filmed at different sites across the globe: Lanzarote - a beautiful strange island known for its beach resorts yet one of the driest places on the planet, full of dead volcanoes and strange architecture; Gunkanjima - an island off the coast of Nagasaki, Japan, a deserted city built on a rock, once home to thousands of families mining its rich coal reserves; Tuvalu - one of the smallest countries in the world, with tiny strips of land barely above sea level in the middle of the Pacific; and Somerset - an as yet to be discovered island and its various clades. This series of constructed realities explores the environments of self-contained lands and the search for information to enable the reconstruction of soon to be lost worlds. The film’s soundtrack - narratives by writer Mark von Schlegell - detail each of the four islands’ evolutions according to their geographical, geological, climatic and botanical conditions. Slow Action, inspired by novels such as Samuel Butler’s Erewhon, Bacon’s The New Atlantis, Herbert Read’s The Green Child and Mary Shelley’s The Last Man, embodies the spirit of exploration, experiment and active research that has come to characterise Rivers’ practice.

              Origin of the Species
              ES ES-OVNI CTX-S013-SS004-0008 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              A 70-year old man living in a remote part of Scotland has been obsessed with 'trying to really understand' Darwin's book for many years. Alongside this passion, he's been constantly working on small inventions for making his life easier. The film investigates someone profoundly interested in human beings, but who has decided to live separately from the majority of them.

              I Know Where I'm Going
              ES ES-OVNI CTX-S014-SS006-0007 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              A fragmented road trip through Britain on the peripheries. Down empty roads, off in the wilderness, a few lone stragglers. My first stop, geologist Jan Zalasiewicz, talking about the Earth in one-hundred millions years time.“What would be left of human action, human traces, human constructions, human buildings and the wider ripple effects of humans after that length of time… assuming that humans disappear in the geologically near future.”

              Ah, Liberty!
              ES ES-OVNI CTX-S013-SS004-0002 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              A family’s place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at an idea of freedom, which is reflected in the hand-processed Scope format, but is undercut with a sense of foreboding. There’s no particular story; beginning, middle or end, just fragments of lives lived, rituals performed.

              Untitled